Frank Lloyd Wright in Buffalo

The Darwin Martin House on Jewett in Buffalo is a world renowned example of Frank Lloyd Wright's iconic prairie style. It rests there so naturally. This respected old neighborhood, full of graceful and decorated turn of the century and Victorian architecture recognizes this amazing icon as one very spectacular Buffalo building.

After $50 million in renovation since 1993, including a guest reception building of glass, replacement of the original pergola, and connection to the Barton House, we eagerly await landscape restoration. Soon, the  massive stone planters will contain tall prairie grasses, and graceful trees will frame the campus. The entire renovation project will be complete in 2018.

This pastel was completed in my studio after a plein air paint out. I stood across the street protected under a massive maple. As I drew I continued to marvel at the mathematical proportions, twos and threes, thirds and halves, repeating patterns and long horizontals, it wasn't too difficult to consider the brains of the master architect as I worked. In the studio I corrected some angles and lines and worked the painting to the edges, using my notes and memory.

Darwin Martin & FLW, pastel, 12x18 c.2017

Buffalo Psych center becomes the Henry Hotel

I made it to HH Richardson towers yesterday to paint with NFPAP, in the driveway saw 5 painters buried in their work. I drove all the way around to the new Henry Hotel side and painted a pastel of the new and old entrance.

I went around the building late for lunch and the painters were gone. It had become difficult to work in the cold wind and they had decided to go home. It seemed much more breezy there compared to the Buff State side.  I had seen patrons and workers entering the massive doors and knew the hotel was beginning to host guests. Bravely, I entered the building, walked around, tried out the elevators, admired the fresh clean spaces and artwork; what a change from the scrappy paint peeling filthy garbage strewn floors of my last visit.

I had taken a class of high school students in the 1990's, we were investigating the building for a potential adaptive reuse with an architect. At the time, it was being considered as a magnet school. We still called it the Psych center and it had been vacant for decades, a victim of time and neglect.

The memorable part of this earlier trip was gaining entry to the highest towers, a barn sized space, almost scary dark with high windows shining into the dust laden air. There was dated graffiti from the early part of the century and a huge Bible nailed to the floor. This massive medina limestone building is a jewel of Buffalo architecture, about to fill another century with history.

My painting needs a little more work to brighten the windows, correct some perspective and give more emphasis to the new glass entrance, but I am pleased with how I captured the late morning light on the curved facade. Just a few minutes in the studio and it will be grand.

Henry's New Hotel 12x9 pastel c. 2017

Miebohm Gallery accepts a window view

 

After a lovely long season of plein air painting outside I was attracted to making a larger painting indoors. My corner windows in the gallery room look upon the woods and a huge set of 5 trees in the neighbor's yard which lean over the property lines and shade the roof for half the day. The long tall windows frame ever changing views in all seasons and distract me every time I pass the door. 

Using the window as a frame for my composition I moved my big easel from the studio and set it on a drop cloth to capture the colors of autumn as they rotated from green to yellow, orange, red and brown. 

This painting has been selected by Grace Meibohm into the Meibohm Gallery on Main Street in East Aurora. She is mounting a juried show of 'The Art of Native Plants' to benefit the Western New York Land Conservancy.

The exhibition is up now, the reception is June 10th and will be there until July 29. Half of my commission will go to WNYLC.

Lights of Fall, oil 30x15x3 c. 2016

Rochester Pastel Workshop

Each morning of this 3 day pastel workshop named "Color Confidence" began with a demonstration by presenter Marla Baggetta. It was a pleasure to get to know her, the creator of a series of paintings that I have admired in several magazine articles. (photo 2 shows the composition she created 100+ times)

This last one is my first afternoon's experience with crazy color experiments using structured color combinations. I later used similar restrictions in a series of Niagara Falls' Horseshoe, all 5x7. 

This workshop was a bit of a challenge to 'stay on task' and 'follow directions' but that's what I paid for and appreciate the experience and opportunity to work with Marla Baggetta. After years of NOT attending workshops I find I can always add to my repertoire of skills by listening, trying new approaches and learning from painters that I admire.

Buckhorn emerges from Winter

Pastels are so satisfying. Making marks with richly pigmented sticks makes a subtle sound on the drawing surface. The colors envelop each other, layer upon layer bits of pigment wink and chortle from beneath and add a dimension not possible with other media.

 A Niagara Frontier Plein Air Painters outing to Grand Island's Buckhorn State Park contains more sights and compositions than many other locations. A simple bridge over the creek, White and Grey Herons, fishermen, wooded areas and flowering fields, the canoe launch and the wood deck can all be captured with camera or brush.

This tree is across from the canoe launch and the mild weather barely moved the water, allowing the reflections to barely ripple. I've painted this mighty oak in the brilliance of Autumn but this is the first time I considered the elegance of the bare branches.

Genuflecting to Woods Creek, 12x9 pastel c.2017

Artists Group Gallery BNAA

The Buffalo Niagara Artist Association Spring show is at Artist Group Gallery this year. I've prepared two water paintings, the smaller one is the edge of the Horseshoe Falls while the larger one (Also on the postcard) is 'my jetty' in Long Beach. Don Siuta judged the show and hung it in the two gallery rooms. My two paintings were displayed a few feet apart, the photo here is just a quick snapshot before the show, on a wall outside my studio.

Cool Mist, oil on panel 16x20 c.2016

Slack Between Tides 30x30 c.2016

Pastel Workshop 2

 These are MINE! This is my studio set, but I also used my travel Guerilla box as there aren't enough colors here!

Pastel Workshop Setups

Western New York Pastel Society sponsored a 'Color Confidence' workshop with Marla Baggetta. I had admired her work and saw an opportunity to meet her, watch her work, and hopefully learn a whole lot by joining the club and signing up for the workshop. I am so glad I did, it was a wonderful mixed group of artists, various styles and experiences and activities.

ON the third day I went around the room and photographed the various pastel setups and how they were packaged, set up, and used. INstructions for this workshop said to bring as many high quality pastels as we had and suggestions for purchase. There were Diane Townsends, Sennelier, Terri Ludwigs, Unisons and more. Various cases were purchased or converted, and different references, including digital were used on the third day to utilize what we learned. Such a feast for the eyes!

Late Fall at Niagara

Last November, I joined Jacq Baldini at the overlook bridge to paint the Falls. It was a true Fall day, chilly, breezy and a bit of rain as well but we were able to set up behind a glass windbreak wall on the bridge that didn't impede the hardy tourists who joined us. 

The first picture shows my picture on the easel on location with my view. The second is the painting in proper lighting, we were in a corner. I am so happy with my painting that I chose it for my new business card. Not every painting is a 'keeper' but once in a while I feel I have made an exceptional beauty.

Power, 12x18 pastel on Wallis, c.2016

Garret Club

Invited to display paintings at the lovely Garret Club in Buffalo, I was given two walls to show work near the grand piano. I chose to use one for botanical images and the other for local scenes and landscapes. This was a good opportunity to talk with groups of people who appreciated art and had interesting questions and comments. It was particularly nice to carry less home than I brought to the club. They asked me to leave the work up for more than a month. I like to have a group of paintings out at the same time, it leaves me a bit of room in the studio to reorganize and rearrange. I have a rule, no nail shall stand alone, so every lonely nail is given a new painting.

The Plein Air Force Houston

If you have heard me talk about the lack of unique character in suburban Houston, you have probably also heard me say that a painting can be found anywhere. This is just around the corner from Robin's street, a wide greenway lined with a row of evergreens. I have sketched here before as it is an outside street of a planned neighborhood and a good place to practice perspective; trees, houses, powerlines, parked cars, and the street all converge at a single distant point.

After a neighborhood walk the afternoon light was right and I brought my half French easel out to the shady corner, followed soon by Ian and Amelia with paper, lap desks, drawing supplies and their FURNITURE for comfort. It is humbling to be reminded that kids have no limits, no worries about appearance or rules, they just get involved. Hearing the chairs drag down the sidewalk, seeing them scramble to hold their artist odds and ends and grinning and eager to work with Grammy, I wish I had that picture. We all worked in the quiet, greeting occasional neighbors checking us out, dog walkers,  and cars slowing.

Amelia painted with her set of new brush markers and left sky holes in the trees and light marks on the tree trunks. It wasn't because I did this, it was because she was looking at what was in front of her. A lesson well learned. She wasn't sure what to draw and I said "just do whatever you are looking at."   

One of my very best days.

The Trees Across the Street, brush markers  9x12 c. Amelia

Across the Street @10x12 oil on Arches paper 

I titled this post Plein Air Force because there is a movement of that name to get everyone involved, to get people out, to try drawing and painting from life.

Carnegie Workshop

The Niagara Frontier Plein Air Painters created a workshop to educate the public about plein air and encourage more to share our activities, enjoy outdoors and create paintings. Even before the scheduled start time, interested  people were looking around, asking questions and collecting handouts as well as Plein Air magazine and the Liliedahl video catalog, both donated by the publisher for our event.

My talk was about various ways to pack and organize, how to eliminate extra weight and pare down the amount of supplies to paint outdoors. The display included a half French Easel, Guerilla Boxes, Laptop Pochades and even a tiny oil color set in a doll size suitcase box. People enjoyed seeing box adjustments including handles, brush holders, strategic holes drilled and different ways to organize for pastels and paint.

Waiting for Warm, Late Winter Plein Air

Perhaps life gets hectic when the weather warms. At least, I think it does, but winter has its own slower pace. Right now I am ready for the busy painting schedule that NFPAP has put together, so I have been playing with a variety of different materials.

The first painting is from an upstairs window view. A little bit of snow and a lot of sunshine inspired me to capture the blue shadows of the biggest cottonwood tree I have ever seen. It is at least three times the height of a two story peaked roof. About 100-150 feet away and across the street, if it ever came down we would have a huge mess and a bit of damage. I see this tree out of every window in the front, and it fills my view from bed as well. This was a pastel experiment, the paper had too much texture for me, perhaps I should have used the back. I think the same painting in oil would be more successful.

The second is a front seat in the car painting. I parked along the Robert Moses, recently renamed the Niagara River Parkway. A fairly gray and quiet day, the Niagara plume hovered in the gorge making the buildings of Niagara Falls Ontario appear to float or sit on the mist.  A famous chimney has been moved to the river side of the road and was given its own parking lot as well. It is a good place to just look and think.

Shadows of My Dreams, pastel 9x12 c.K Schifano

A Chimney's View watercolor 6x9, c.K Schifano

The March Exhibit announcement

The Dispatch posted this about the show. We just returned from Houston so I hadn't seen the paper on Friday, but on Saturday morning it was the subject of yoga class. I guess they recognized my photo even though we usually are upside down or have our eyes closed. Thanks to the paper for printing this announcement from the library.

Naturally, Grand Island

Living on an Island? Surrounded by water, and blessed with two state parks, overlooks and rural areas,  and some interesting views make it very easy to display a collection of Island paintings. There are nearly 30 paintings in this show at Grand Island Memorial Library and all of them represent Grand Island scenes. Except for the two florals every picture was made outdoors, between the bridges.

I couldn't help but title this exhibit "Naturally, Grand Island". I am so blessed to have so much beauty to surround me. Although a few paintings are from close to home, I could fill another exhibit with works that show the changing seasons right in my own yard. Missing a few labels and the sign, this is how the paintings look this month on the day they were hung.

New art show at the Memorial Library

Last fall I was asked to consult on the purchases of a hanging system for the Grand Island Memorial Library. It would be freestanding and the committee had already investigated various systems. All I had to do was suggest taller displays and a new configuration, considering the 3d space they would occupy. The library is a large open space and the art displays would be between the stacks and the reading room, equally available to viewing from all directions.

The display arrived and the staff has considered moving them a bit from the original plan, realizing that the artwork should be central and the stands adjacent to each other. A local artist shows a variety of paintings for this inaugural show.

I am invited to hang my paintings at the end of February and have chosen local Grand Island scenes to show my neighbors as they check out books, join meetings and bring their children to events. The local paintings will include views of our two state parks in all seasons as well as some area landmarks. I hope that other opportunities to show my work there will feature Niagara Falls, flowers, ocean views or travel paintings.

Staying creative with jewelry

A box of nostalgic family costume jewelry sat in the basement for entirely too long. Some of the 'better' pieces had been claimed by cousins, but Martha's well loved collection was still waiting for a purpose. She never left the house without a necklace and earrings, a pin on every jacket echoed the colors of her outfits. 

A bit of research to find the perfect glue for metal and plastic and a few weeks on the work table helped these three compositions create themselves out of the myriad of jewel boxes. Each includes a single gaudy Christmas tree, some tiny angels, loose pearls and love. Now mounted under glass in display frames and ready to display, they are going to the homes of her three granddaughters.

I haven't painted during the process but I felt creative and 'charmed' throughout the production of these new family heirlooms.

Hiatus

After Fall exhibitions come down and collections of paintings are delivered to holiday gift shows, I like to take a break from creating paintings, clean and organize the entire studio, prepare surfaces for new work. Then I leave the studio and take up residence in my kitchen as the baker lady.

Cookies. The ultimate creative endeavor for the homebound. I enjoy the change of seasons out my spacious windows, but as the browns turn to grays in the woods the colors of dough, sprinkles and frosting light up my artistic side.

It's been a few weeks and several large home projects are complete, visiting has slowed down and it is time to return to the studio for a few bigger projects before sunshine and balmy weather calls me outside again. I have been itching to paint but have continued to draw. As soon as I uncover my table from a messy gluing project the paint and pastels will fly.

These is last year's photo but I made most of these again this year, doubling up on the chocolate ones and making the cuccidatis larger. That's it until next December. The creative season of dessert is over.

Something I re-learned in 2016

Pastel. My original favorite medium beckoned me to stop using oil paints for a while. Although framing a pastel painting is more difficult (sealing the surface, making perfectly cut mats with spacers, using glass in the frame while still handling a fairly fragile powder media) the colors and reaction of the pastels to the surface is so exciting. The easy part is covering a fresh new pastel with glassine and adding it to the pile, no drying time is necessary.

After a weekend workshop in NYC with Nancie King Mertz I was energized and inspired to get back out with my plein air pastels. Early Fall beauty at the Tifft Nature Preserve with my Niagara Frontier Plain Air Painters friends made it easy to find good compositions. Choosing just one view to paint was hard, but the yellow tree leaning into the lazy creek became my subject. The fall sun was low and trees in the park were tall.  It was more about the brilliant yellow leaves in nature than the sun or shadows.


Autumn Glitter, 12.5x9.5, pastel. c. 2016 K. Schifano