Albright Knox Art Gallery Issue 2 pub.

Sorting through magazines, I discovered my own painting published in the Albright Knox Art Gallery's quarterly magazine AKNOW. This photo was taken at the opening of the Collector's Gallery Area Artist show last year. My close view of an orange tulip called 'Not Letting it Go' is on the easel. It was kept at the museum for a year & was displayed near the gift shop and also rented for a few months by a corporate client.

Sadly, the regional artists collection is ending soon due to economic woes. I call it a classic 'trickle down economy' effect. I have been proud to be selected to have work at the Albright Knox every year since I was first invited to participate.

We all need to continue to support local arts as they struggle to get beyond budget deficits and dwindling corporate support. This year, I will move my own membership to a higher tier as I appreciate & use the museum so often.

Plein Air at Erie County Fair

A plein Air competition on the hottest day of the summer!? I found a shady bench under a tree & worked with pastels to capture the feeling of variety & excitement at the fair.

On the right is the Time Warner Roadrunner-he has the goofiest face, but I may be the only person who spent any time looking at it-there was so much going on all around me. On the back side of my tree was "Mr.Guess", hawking for customers ALL DAY. He was very accurate guessing both weights & ages for $3 a pop. He had to be within two years or two pounds & didn't lose very often. Winners went home with a blow up Mr. Sponge-Bob.

It was a long way from my spot back to the car to mat my picture & then cross the fairgrounds to submit my entry. I returned my painting to the judges at the very last minute-none would be accepted after 4pm - and found a sink to wash up & a traditional lemonade to rehydrate. It wasn't long before the winners were posted & my painting had a big yellow ribbon-third place. What more could I ask for, I spent a hot summer day in the midst of crowds of happy people enjoying 'America's Fair' and also won a prize ribbon and cash for my art.

'Guess your weight, age or birthday', pastel, 12x15 2009

Fundraisers & vegetables

This painting will be presented to Canisius College & Art Dialogue Gallery for their joint gala fund-raiser auction next May. It was painted at the Saturday art event at Karpeles Manuscript Museum in Buffalo. I worked near the open doors to get natural light, but, lo & behold, there were no tomatoes....so this is a very rare example of a painting made from my photograph. I really do prefer plein air and real objects! I tended to look around the side of the photo to 'see more' & get the edges. Good thing it was a great picture to start with.  

This year my tomatoes aren't worth even a photograph-leggy stems, little tomatoes, brown leaves. It's been a weird summer for weather-too much rain & gray in June & July.

Karpeles Museum Tomatoes, oil 11x14 2009

Lewiston's Frontier House

I do like to have a photo of each my artwork owners, & have a lovely collection of photographs of 'satisfied art collectors' with their new paintings.

Jill mentioned Bradley took her picture looking at her new painting on her wall-she sent it to me-so, of course, I had to use it! This is the MOST UNIQUE one in my collection.

And it does look nice, too.

Lewiston's Frontier House, 1824, oil 16x20 2008 photo by California photographer Bradley Smith

Not Just Rain

Lewiston Art Festival is an annual juried fine arts show that has recently featured RAIN each year. This year, it was a monsoon. These pictures are from Erie County, south of our location.

I had a live connection to weather radar & it seemed that the narrowest part of the storm was headed our way. No problem there, Carl said 'It'll rain in 15 minutes' & I said, 'No, probably in five'. At that moment a bucket of water landed on me, my book, chair, etc & we jumped into the tent with our gear. Three walls were already safe & down, the fourth was clipped open. Several strangers-and friends- joined us as torrential rain beat on us, the roof & the tree over our heads. As the wind kicked up, Carl unclipped the fourth wall & we were zipped inside, velcroing all corners & battening hatches. We could hear the storm results in other tents & it did not sound good.

Oops, my internet connection went down, so I had no idea where we were in this storm. All the things on the floor had to be lifted, the table was soaked, prints cards & calendars were wet, and plenty of frames were also sprinkled. Fortunately the towel was large enough to salvage these things.

Nardene Bradt, at the back of the tent mentioned she was glad to be wearing jellies & we all realized that the water was rising, it eventually came halfway into the tent from the curb, Carl's shoes & socks never did dry. Richard Bradt is a lifeguard so we had some security. There was also a a small dog-shaking like a blender-a stroller & assorted others. Dollie, Carolyn & Jason Mallo were with us for awhile & we had a visit from Laurene Buckley as well.

Everything was just peachy until the storm really hit us-I thought it should be over by then-the local power was out, with amazing wind-we all grabbed tent parts- blowing rain, and simultaneous thunder & lightning. It was just scary, until it was mentioned that we were actually under a tree, in a metal frame tent-standing in serious water. Then it was REALLY scary.

Half hour later, it stopped although the thunder continued for an hour. Many artists had a great deal of damage & half of them packed & left. I didn't relish trying to pack the wet tent & decided to let the breeze dry us out a little. 

Then the sun came out-the public returned-& it became a regular festival day, except that it had been downright weird while it was storming.

It's a world wide web

This map is in my sidebar on the right so you can click to see where in the world my blog is read. I have had it here for just a few months & am still waiting for my first red dot from China. Apparently Sarah Palin is a fan, because there's a dot in Alaska, too. 

If you would like to share this blog with your overseas or out of town friends, just send them the link. You can drag & drop it into a note. It is ridiculous how happy I get to collect more countries!

Update for the Art Fest Sat & Sun

Lewiston Art Festival is this weekend-August 8&9- & I am looking forward to seeing a lot more people in the sunshine. My new tent location is near the front of the 'Orange Cat' Coffeeshop, on the corner of Center & 7th Streets. The festival has changed its layout this year, Center street will be closed from 8th to 4th & all the tents will face into the street. There will still be music & food & more! This is the only outdoor weekend show I participate in as my work shows best on walls rather than tents.

My calendars are fresh from the printer & there will be a few new matted prints as well, for hostess gifts & friends. This year, I selected 12 Niagara Falls paintings to celebrate the upcoming anniversary of the Niagara Falls State Park.

I plan to display a new interesting assortment of small original oils in a variety of frames for all decors. These original artworks are spectacular gifts for occasions like weddings & anniversaries & many people are starting to plan for the holidays as well.  Another new display will include a variety of oil & pastel artworks with backing boards or mats if needed that are ready for your own frame. If you are shopping locally, remember, all my work is Made in USA!

Composition With Ice, oil 10x14 2009

Lewiston Art Festival August 8 & 9

Preparing for the Lewiston Art Fest- my new tent location will be in front of the Orange Cat Coffee Co, right near the corner of 7th Street on Center Street. Although I will miss my comfy park lawn site, the new Festival setup should be exciting. The entire area of tents will be closed to traffic, & everyone will be between 4th & 8th Streets on Center.

I plan to have my calendars available then, my fingers are crossed! The ink may be wet & I may be up late Friday night packaging them, but the all 'Niagara Falls' edition went to the printer for proofs last week.  Having included 3 or 4 Falls paintings every year, it was a a challenge to have 12 'excellent' paintings completed without using the old ones. You may be a little surprised at some of the new layout effects we are trying.

Comparing Paintings

Once upon a time, I said I didn't like to paint bridges. Since then , I learned to love them, especially these little bridges we find to cross creeks and streams.  These pictures show two of my 2009 paintings, the framed one was done in Florida, the other is at Allegany State Park, & they were painted 5 months apart on location. I was surprised to see the similarities, but also was amazed to remember the differences-the fire ants vs. the flies, the scorching sun vs. the rain that ended the painting session.

Both paintings were wonderful experiences, the process of plein air can not be matched in a studio. There is no substitute for real life.

The Red Bridge oil, 11x14 2009

Redhouse Bridge to the Playground pastel, 9x12 2009

Satisfied customers

Monica & Mike White came here on Sunday & left with their completed portrait. It had been drying for long enough to have a light coat of varnish-it's now archival enough for the first hundred years or so. Their New Jersey home (in the painting) is currently listed for sale, & the painting will hang in Wellsville, at their new address.

Rainbow Bridge from Whirlpool

Easy to find in older digital files because they were arranged by date, I can post this original pastel composition from 2006 to compare to this year's. 

The softer afternoon light has less contrast & shadows are bluer in the water here. The 'Niagara Towers' building is still in Niagara Falls, as are several others visible from the park. I originally put this in because it is home to Martha Schifano. Several other buildings are visible, but this is a good example of 'artist's license' -- leave out what you don't need/want.

Whirlpool Bridge View pastel, 18x12, 2006

Painting the same scene 3 years later

This is water rushing through the gorge after cascading down Niagara Falls, it is called the lower river, but still too rocky & rough for boats yet. If you have looked around my studio, then you may have seen a similar painting behind the door. Several years ago, as a new plein air painter, I went to Whirlpool State Park, leaned on the gorge rail & completed an afternoon view of the bridge and lower rapids. The Niagara Frontier Plein Air Painters, hosted by painter Carol Mathewson of Youngstown met at the park this month, so I chose the same composition. 

Comparing the two paintings, it is not evident that they were painted a few years apart, instead, it becomes obvious that they were done at different times of the day. This is a morning painting, while the other was made in the afternoon, reversing all the lights & shadows!

The difference that I notice is I can now attack a composition, lay in local colors confidently & block in shapes to start faster. This is definitely a result of practical experience, many days have been lost to changing light & capricious weather. The 2nd difference is the view-lots of vines & shrubs have grown into the public  viewing area. I  admit to having pulled aside several yards of Virginia Creeper in order to see the gorge-and I was standing along the viewing rail.

 Whirlpool Bridge from Whirlpool pastel 18x12

Grand Island Happenings

I joined our Grand Island Chamber of Commerce this year, & also exhibited with their 'Grand Island Happenings' showcase event, which included 'KidBiz', Jim Sharpe's brainchild for GI youth. There were games, artists, food vendors & services in KidBiz-all by youngsters. Quite impressive. 

Over on the 'old people's' side of the park, there were opportunities for eating as well as three rows of tents representing GI businesses, including mine. We left the walls off & had lots of fresh air & visitors. I participated in this exhibit two years ago & had a nice day then. That was the first time with a new tent, but we are very efficient & fast now.

American Falls painting-the wettest

10,000 cubic feet a second at the American Falls? This Niagara oil was painted in Fall, but I have certainly taken my time to re-photograph it. As you look at water right after the brink of the American Falls, you see that there are areas where the water hits rocks on the way down, creating new cascades.

I chose to re-publish this picture to celebrate summer. It was painted on a summer-like day, which hasn't happened often this year. Mid July, & I thought about wearing socks with my jeans today. What's wrong with that? Well, I usually put my jeans away for a few months to wear shorts & bare feet.

It was bright enough to take pictures this morning-& not windy, so I think the final two paintings can be laid out for the 2010 calendar. I had shot them a few times before, but the late day light is too warm, & the early day was too blue! I'd rather have them right in the camera than adjust colors afterwards for printing. I really miss the camera, umbrellas & strobe set-up for taking photos I once had in my Niagara Falls High School classroom. But that's all.

Steps of Niagara, oil 16x20, 2008

Father Louis Hennepin, O.F.M.

There is a great boulder north of the Rainbow bridge. It has a bronze marker stating that Father Louis Hennepin probably stood near in 1679 to view the Falls. He was supposedly the first European to see the cataracts & artists have recorded paintings of him standing in various places, but never there. It is a mile or so to the Horseshoe Falls  from that big rock, as the seagulls fly-if they flew straight.

It happens to be the place I set up my easel & selected this tiny corner of my panoramic view. It is the edge of the Canadian Table Rock section, the mist was not filling the gorge  much, so I had a great view & a lovely morning in the park. Remember, this was a mile distant, so my eyes had a great workout!

'Father Hennepin Stood Here' 9.5 x 15.5, pastel 2009

Pure serendipity day

Everyone in our neighborhood decided to yard sale the same weekend, so I carted out the odds & ends I had been saving on purpose. After the initial flurry of checking arrangements & price tags on the driveway on Saturday, I set up an easel & painted part of the porch from under my sun umbrella. I was totally into the picture, but people kept handing me money instead of walking off with the goodies. After two days, I packed my car with leftovers & donated them to the Hiawatha Manor in Niagara Falls, NY. When I returned, I collected some more useful things & put them away for the next yard sale event.

 This was the ultimate multi-tasking experience, because I was able to clean under the basement stairs & some of the garage, chat with neighbors, paint my pansies & clematis before the blooms were done & also spend a lovely Saturday out front.

NoEarlybirds, pastel 11.5 x 15.5  2009

The pleasures of weather

It seems like it has been a while since I posted, but I have finished 30 paintings this year-& four of them in just two intense days this month, by camping at Allegeny State Park with several NFPAP friends. This painting was completed on a scheduled paintout in late April. The view is in Sanborn looking out towards Lake Ontario. A lovely day, Spring greens were in the fields, buds were opening & birds were searching for nesting spaces. 

Preparing for painting, & recovering afterwards, takes more time than even I imagine, so it has been a while since I photographed my new work. Of course, the weather has been rainy or windy whenever I find the time-& when it was nice out, I painted! The best photographs of my artwork happens on the perfectly still days outdoors, with filtered light. I do miss the control of the studio I had before, umbrellas, strobes & a synch button, but I don't miss anything else about it.

On the Ridge at Lower Mountain Road, 10x20, oil, 2009

Outdoors can become studio work

The angular trees & shallow water are two of my favorite painting subjects at Burchfield Art & Nature Center. I was the Niagara Frontier Plein Air Painters  host there last month, but was distracted by a variety of impending responsibilities when it came time to choose a subject. I knew that the open paths & misty morning distance would make great subjects, but they weren't fitting into my temporary  melancholia. I settled close to a big patch of daffs & drew until I became intrigued by this composition & started to paint it. However, the mood prevailed & I transported a dull unfinished plein air in the car while I ran errands & completed tasks. The next week, I reviewed the sad drying painting & pulled it onto my easel in the studio. Fresh eyes saw potential & I reworked the flowers, enlarging the petals, adding distance & additional flowers & stems until I was satisfied. It took a lot longer than I expected & nothing of the original plein air remains-except the memory.  It would have been easy to overwork it.

Our spring was pretty, that day was lovely, & these are the only daffodils still around. The moral of the story is that it isn't always easy to paint, even when I want to. Lucky me, this moody nonsense rarely happens.

Late Yellow Daffodils, oil 14x11 2009

2010 calendar planning

UPS safely delivered a double-boxed cardboard order Saturday-the new empty calendar cases for 2010. Planning next year's calendar, I had finally decided to create a 12 month 'Niagara Falls' series, which is a bit harder than I thought, since I had already selected at least 4 Falls paintings-the best ones-for each of my previous four calendars. Keeping with my plan to feature only new work, I am boggled by a variety of selection  conditions. 

1), horizontal images work best with the calendar. 

2), who wants 12 pages of blue water? 

3), not every painting qualifies; I'd be the first to say that not every composition is up to a 30 day analysis by my public. 

4), all the images need to be finished & selected for layout by the end of this month!  

5), I was a cold weather chicken this winter & did not venture out much to paint the ice & snow mounds en plein aire at Niagara.

This painting will be one of the spring images, it was made on one of those sunny early Spring days when people come flocking to the walking paths to wish away winter. Still cold along the water, the buds had started on some bushes.

Dance on the Rapids oil, 11x14 2009

Buffalo Botanical Garden painting

Painted on site at the Botanical Gardens, '746 Orchids in a Box' was named because after I started painting, I realized that the flowers were actually miniature orchids. I started to estimate the number of flowers by counting bunches, the result happened to be an auspicious # for me. Anyway, Fran Volpe owns this painting now; after selecting several paintings to find the perfect picture for her remodel, this worked out for all the people involved!

746 Orchids in a Box, oil on masonite, 12x18 2007

WKBW AM Buffalo show & Quaker Bonnet Eatery Day!!

On Friday morning, WKBW television morning show host Linda Pellegrino & I spoke at length on various artistic topics-styles, art training, my work & calendar, plein air, etc. Then the live film  segment started! She was particularly easy to talk with but what was left to discuss? Filming a television segment live was new to me, but it was also easy as she was interested & well prepared. I may eventually have a digital copy to post here, it was about ten minutes long, but seemed quick at the time. My feet haven't touched the floor yet as I started the day on television & artwise, it continued until my evening artist reception at Quaker Bonnet Eatery. It wasn't crowded, but there were different people attending at all times for the entire evening. Some even went out with a package of  famous Buffalo chips-the ultimate coconut macaroons dipped in chocolate. Carl & I had lots of conversations with old friends & new viewers. Liz Kolken prepared wonderful [& beautiful] platters of snacks as well as wine & beer, & the weather was quite perfect as well. The month of May has been spectacular so far!

AM Buffalo television studio #2,  5-8-09

Houston Texas, noon & dogs

Finally-A finished and almost dry picture! Now I should plan a visit to varnish it in place.

This is a commissioned house portrait for Stephanie & Brian Smith of Houston. Working on it, I realized that the dogs are the real subject here. They are as sweet as can be & have no pretensions about the fact that they are very special dogs & live in a lovely home.

Bevo & Bonzo's Texas Ranch oil 14x18 2009

If you did not get the email...

Friday May 8--Please join me! From 5 to 7 in the evening-early enough to go out for dinner or catch a movie.

My newest solo exhibit is 'Around & About the Bright Side' in Buffalo!

 Start Mother's Day weekend at my Artist Reception Friday May 8 from 5-7pm

Liz promises nibbles, coffee & tea for us as well as a cash bar if you want to party.

The show will remain until May 31 2009

Quaker Bonnet Eatery

175 Allen Street [two doors from Elmwood Avenue}

Buffalo

Am Buffalo, channel 7 ABC, has also invited me to appear on Friday morning between 10am & 11. It was inspired by the picture of me painting the Horseshoe Falls on the cover of 'Forever Young' magazine-May issue. It is in Wegman's & Rite Aid this month.

New Blog? I am crazy!

CLICK HERE for My Page - plein air artists

I just signed onto a new blog-for plein air artists. It was relatively easy, & uploading images was simple. It was especially nice to see my own pictures flash by as all the current images on the site roll by the welcome page. Obviously, I have absolutely no time to keep up with this ......so we'll see if I am up to the challenge. Several national artists that I correspond with occasionally are there as well.

Some days are really special!

Forever Young Magazine

Click the link to read the May issue article by Anthony Chabala about my plein air. It started from a press release sent to Buffalo Spree about the upcoming show. It was referred to Forever Young Magazine & between interview questions & my website he developed this article.

Just one correction---the exhibit will be up all month! Join me at the artist's reception on Friday May 8, 5-7 pm. Quaker Bonnet is on Allen Street between Elmwood & Delaware.

What is more amazing is that they chose my picture for the cover! This is from their website, as I have not seen it on paper yet.

Albright Knox Area Artist Exhibit

Today this studio painting was selected for 2009 Area Artist Exhibit at the Albright Knox. It seemed like a long time from the application process announcement until the final decision. Previously, this show was juried by invitation. Artists brought their work-maximum two-to the Museum for jurying, and received a phone call about works selected or declined. This year required a green online entry; less gas & time, but by applying a bit earlier, it seemed a long wait. There will be a reception May 15th with the exhibiting artists. It's an honor to be selected & the work at the show is an area artist who's who  to me. I'm pleased to be included!

5 Apples & the Light,  oil 22x28  2008

Happy Birthday Monica

It doesn't snow much in central New Jersey, but this house portrait documents the 2009 snow forever.  Not dry enough to travel this week, but here it is, finished.

Shirley said 'White house' oil 11x14 2009

Not quite Mutt & Jeff

The dogs have landed. Now whose tongue hangs out on which side, & what kind of ears belong on the left?  My photo has a glare-from the white van reflection on the glass. Do I need to go back there & check or what? (I know they will still be in this position) I think shorty is done. Picture is almost finished but still very wet.

I'm fishing for comments!

Spring Days

Plein Air season is officially ON! Too cold to stand in the wind blowing over still frozen Lake Erie, I set my French Easel in the windbreak created by the car & gained extra space. Hats with earflaps, cozy scarf & SIX layers plus an apron made it possible to paint in 'Elevator Alley', South Buffalo. Sharon Fundalinski had settled into a chair behind a breakwall to paint the same scene from a different vantage point, but it was time for lunch in this picture. It was so cold that the oils were like glue on the palette, only 40 degrees, but the wind was, well, just plain cold.

Spring Studio nights

Late & quiet nights find me listening to music & working on this house portrait-some of the earlier parts are starting to dry, so I can layer details-window sashes, shading, brickwork. Robin went over & took two more photos for me, one of the soffit, another of the peaks. Most everything will be covered by the majestic pine & leaves, but, as in life, the building will stand strong behind & between the branches. Mostly I want the door to dry a little so I can put in the dogs!!