An interesting development

When I saw clear bags in an email from Judson Art I clicked the link to see if the prices and package sizes would suit my needs. They did! But a few days later I received an email from Judsonsart.com apologizing for using the image of my painting in their advertising without giving me credit.

Oh my, I saw the ad but didn't notice my own painting! 

I said no problem just add my name in the future. The email reply was "whew!"  Apparently someone else had taken a big offense in the past or they misjudged me as a typical New Yorker who would be litigation happy. Nope, not me. If you click the link, you will see the ad and a credit that I painted it.

The painting is "Sunflowers From the Porch"

Artists Group Gallery BNAA

The Buffalo Niagara Artist Association Spring show is at Artist Group Gallery this year. I've prepared two water paintings, the smaller one is the edge of the Horseshoe Falls while the larger one (Also on the postcard) is 'my jetty' in Long Beach. Don Siuta judged the show and hung it in the two gallery rooms. My two paintings were displayed a few feet apart, the photo here is just a quick snapshot before the show, on a wall outside my studio.

Cool Mist, oil on panel 16x20 c.2016

Slack Between Tides 30x30 c.2016

Tonawanda Riverwalk Prize

Art on the Riverwalk is a wonderful Sunday afternoon show in Tonawanda along the Niagara River. This was the 14th year and I had participated once before. SInce then we were always busy that weekend with family visiting and the 4th of July weekend. This year, I was free to attend and applied.

The wind blew gustily all day but the tent stayed up and people came by to cool off with the river breezes. Kids ran around, bicycles and skates passed walkers on the path and it was a simply fabulous day to sit out and chat with happy people.

I was assigned spot #9 by trees, close to my car and the comfort station, next to two painters displaying on the snowfences and a ceramic potter.

The organizers and PArtners in Art Gallery secured prizes locally which made the exhibit extra special. The painting above took the Jenna Koch-Tonawanda City Council President Award, an Honorable Mention green ribbon as well as a cash prize donated by Jenna Koch.

The painting reflected the day as it was painted during a similarly windy event. A hurricane whirled a distance off shore. The gusting winds lifted the crests of the tumultuous waves and created roosters of mist. Sturdy clamps held my board steady on a weighted tripod. It was fun to paint it!

Wave Watching (From the Boardwalk) 9x12 oil on carton 

Studio painting from a plein air reference.

Using my own plein air painting as a reference for a large painting is pretty unusual. I have 'tried' it twice before and although I like to work on large paintings I do not like to work from flat references. I have become used to working from life, in real places, with real items, real people, not photographs or paintings.

This is an original plein air painting, 'Slack' which is 9"x12". I did it at my favorite jetty, the end of Ohio Street in Long Beach NY in 2013.

I reproduced it in the winter of 2015-16 for a gallery that wanted large images of my ocean scenes. This was a challenge but also fun, and a bit frustrating. It was hard to capture the sparkle of a summer morning on the shore while I was standing in the studio with a snowy winter window view next to me. The larger rocks on the easel picture are the size of the original plein air painting. The painting is 30" by 40" and is curing in the studio now. It takes a long time for oil paint to thoroughly dry after the surface seems dry.

My beach paintings go on exhibit, 9/1-9/20, 2015

I currently have a display of 15 plein air beach paintings in Long Beach, 250 East Park Avenue. Galleries for practicing artists are rare on Long Island as people can purchase art in nearby NYC (or else WalMart). Last year, the curator for The Coffee Nut saw my work, so I am pleased to have my paintings selected for the busy end of the summer season crowd.

These photos show some of the paintings that are on display September 1-21. This is where they belong, in the salt air where they were born. All are Plein Air and all have lightweight frames as I will be bringing them home as carry on luggage when the exhibition is over. 

Off the Boardwalk in Long Beach

For the past two years, I have been told that I should paint on or near the boardwalk in Long Beach. Finally, I went, to the exact spot I was told to go, which was by the fancy new and expensive hotel. It was fairly quiet there when I started, but as the tide went out more people were set up in all directions, tanning, reading, scrolling on their phones and partying with scrumptious picnic baskets. It got fairly crowded and full of rented chaise lounges and blue umbrellas from the hotel.

I was the only one standing around, long sleeves, long paints, wide brimmed hat, flimsy white umbrella hoisted high like a flag and the interesting thing is...I was invisible. No one spoke to me or stopped to look, or apologized for walking in front of me (that normally happens a lot). The hoi polloi did have exquisite bathing suits, matching towels and sandals, spray on tans, perfect hair and skin, nipped tucked, plucked and primped like models. The one mile between my normal painting spot and this one could have been a hundred as it was another world altogether. This 12x16 oil came out perfect, so I'm glad I went!

'Near the Boardwalk', 12x16 oil on board

'You Are There' a P4P art exhibit

Eight plein air ocean paintings based on the Ohio Street Jetty are displayed at Artists Space Gallery on Main Street in Buffalo as part of the Painting for Preservation group. The title of the exhibit is "You Are There". Without a written explanation, I hope you would feel the power of water and weather, the changes around an ocean barrier and the mood of an ocean.

Sara Zak invited a group of the P4P painters and photographers to show, but the focus was not our preservation paintings, rather, work of our own choice that illustrated the theme. Looking at the work, I was intrigued by the powerful images displayed. 

They are shown here grouped within an architectural plaque on the entrance wall, but by the time the final show was hung they were moved a bit further down the wall, into a wider format. 

'Sand Painting' 9x12 oil on birch with plenty of authentic beach sand in the paint.

Back to Long Beach, Long Island. This is the jetty directly to the East of Ohio Street and the first time I strayed from my usual rocks. It attracted me because the ocean had piled the sand so high on one side while it was deeply carved on the west. Later in the week a hurricane was out at sea, causing the surf at high tide to push this particular sand right over the rocks, making it more even on each side. The pleasures of plein air: documenting change.

Setting up, preparing my palette and unpacking my supplies proved to be the source of the title, a fresh palette of paint (and probably more paint than I usually use as I was planning two) acts like a frisbee when buffeted by the wind. Not bungeed down yet, the wood palette landed fairly sideways in the sand. Sounds safe? No. Enough sand had been carried in the air and kicked up that the paints were fairly tan. I used it anyway after scraping some of the worst lumps and gained a painting with an awful lot of texture. My main brush took a beating as well, pushing around the paint wore out a fair number of precious hairs, leaving me with a ferrule full and a brush partly worn.

Sand Painting, 9x12 oil on birch board