From the canoe launch on the south side of the park, there is a small inlet that connects to the creek. I painted there on a sunny spring day with ducks and herons and fishermen all around. As I painted, the little bits of snow remaining from a late storm melted.
Showing posts with label Buckhorn. Show all posts
Showing posts with label Buckhorn. Show all posts
Thursday, July 5, 2018
Another Buckhorn Painting, Spring with a bit of snow.
Thursday, October 31, 2013
Poetry & Art, and Interchangeable Impressions
Stuck in an arm brace for several weeks, I could not hold or maneuver my favored pastels, which probably were the cause of my wrist and thumb issues in the first place.
Not using pastels, limited to oils this summer and fall, I devised a few new ways to wield brushes. Working on treated wood boards gave me more control. Using a palette knife helped cut down on my repetitive motions, and working smaller, with its own particular challenges, limited additional stress on my damaged tendons. I would not give up creating!
While painting with Sherrill Primo, she told me of a poem by Richard about the single red tree of a new fall, a clarion of the season. Hence this lovely bit of Buckhorn State Park, across from the fisherman's dock and its title.
Clarion for Autumn, 7x5, oil 2013
Not using pastels, limited to oils this summer and fall, I devised a few new ways to wield brushes. Working on treated wood boards gave me more control. Using a palette knife helped cut down on my repetitive motions, and working smaller, with its own particular challenges, limited additional stress on my damaged tendons. I would not give up creating!
While painting with Sherrill Primo, she told me of a poem by Richard about the single red tree of a new fall, a clarion of the season. Hence this lovely bit of Buckhorn State Park, across from the fisherman's dock and its title.
Clarion for Autumn, 7x5, oil 2013
Labels:
artist process,
Buckhorn,
Grand Island,
landscape,
plein air
Thursday, July 4, 2013
3 Variations of Marsh Grasses in Western New York
If they have not been crushed by heavy snow, marshes keep their tall fronds of dry golden grasses through the new year, until new grasses fill in. Spring growth adds bulk and color variations as the green shoots stretch for sunlight.
These were coincidentally painted the same week, each about 25 miles further away.
The first is an oil, made in Buckhorn State Park, my favorite meadow, secluded and quiet, with a distant view of mists from the Falls to the west. It was hot and a little buggy, occasional clouds gave me a break from the sun even though I had an umbrella for shade. The marsh grasses nearly glowed white in the sunshine
The center painting is a pastel, painted at Tuscarora State Park on my second visit there this year. Peggy sat close to the water and made a statement about the movement of the water, giving me an idea for the title. It was neither hot nor cool, just a perfect painting day.
This last picture is also pastel, painted deeper into the Tifft Nature Preserve than I usually venture. A map noted that the water is named Mosquito Pond. Wrong. The non native Red Ants in this area were atrocious, even marching in thick lines on the raised walking platform. I tucked my pants into my socks, sat with only my boot toes touching ground and occasionally jumped around. It makes me itchy to remember as I write this! The grasses here seemed almost pink at the tops, I liked the horizontals formed by the receding layers of nature and the patterns of verticals from the growth near to far.
Ironically, I created three paintings in one week with the same subject, unintentionally, each captures its own moment and place.
Reminiscing, 9x12 pastel, 2013
Water Flows Both Ways, 9x12 pastel, 2013
Mosquito Pond in Tifft, 9x12 pastel, 2013
These were coincidentally painted the same week, each about 25 miles further away.
The first is an oil, made in Buckhorn State Park, my favorite meadow, secluded and quiet, with a distant view of mists from the Falls to the west. It was hot and a little buggy, occasional clouds gave me a break from the sun even though I had an umbrella for shade. The marsh grasses nearly glowed white in the sunshine
The center painting is a pastel, painted at Tuscarora State Park on my second visit there this year. Peggy sat close to the water and made a statement about the movement of the water, giving me an idea for the title. It was neither hot nor cool, just a perfect painting day.
Ironically, I created three paintings in one week with the same subject, unintentionally, each captures its own moment and place.
Reminiscing, 9x12 pastel, 2013
Water Flows Both Ways, 9x12 pastel, 2013
Mosquito Pond in Tifft, 9x12 pastel, 2013
Sunday, May 20, 2012
Niagara River Paintings
I just posted 13 new paintings on Facebook, linked HERE, it has been a wonderful Spring for painting as my painting friends seemed to have scheduled all the nice days.
These two were painted by inspiration. I usually carry my plein air supplies in the car, even when I transport passengers and luggage there is a tiny watercolor set ready to capture the moment.
I had run my Niagara Falls errands when the 'big magnet at the Falls' lured my car there...for just a Spring peek. It turned into a long afternoon on a bench and I am so glad I went. It seems like I paint this scene every year but it looks different every time. The bushes and trees on the islands had not filled in yet and I could see between them.
Buckhorn marsh is a lonely place to paint, in fact Spring is probably the best time to go, I can see so much further without trees full of leaves. I knew it would have more people exploring on this fine warm Spring day so I felt safe and headed out for the afternoon. The combination of warm air and cool water created a soft mist on the river, I could barely see the Skylon tower or tall buildings. Although some bushes have sprouted, the cattails and marsh grasses are still asleep.
Interrupted by Spring-the Curve, 12x16, pastel c. 2012
Buckhorn's Island Bridge 4x6, oil c. 2012
Wednesday, December 29, 2010
A Winter jewel
No. I have not been painting outdoors. This bit of winter is from last year, a sunny day with a lot of snow, enough to sink in it down to my knees in snow-I almost had to paint UP to my easel because it was braced on a fence. Getting chills just by remembering. Looking forward to painting some more purple shadows on the snow, which means we need to lose the clouds soon.
It was painted at the old canoe launch in Buckhorn State Park where I often paint in Fall, when leaves and shrubs hide the trees in the distance.
Creek Shadows, oil 8x10 2010
Monday, October 5, 2009
Buckhorn State Park
This 'bit of Buckhorn' was also judged into the Erie County Family Justice Center auction. I accidently arrived at Riverwood on a lovely Fall Monday afternoon last year.....during their weekly church service. Visiting Mary was out of the question then, so I hi-tailed it up the street for my own Church of the Woods meditation. The light was glorious, the yellows and oranges flickered, & leaves silently fluttered around me. Having art supplies in the car at all times has emotional & spiritual benefits. Went back to have our visit, refreshed & renewed, with a fresh wet painting in the car.
Buckhorn State Park is a never ending source for my painting.
As Good As Church, oil 14x11 2008
Friday, August 15, 2008
Torrit Grey Competition
An annual painting contest limits artists to painting with white, black & the annual 'Torrit grey'. It is created by the Gamblin company by cleaning the filters of accumulated gook & giving tubes away at art stores. It is a 'green' use of mixed paints that would otherwise be garbage. This is my 2nd time entering the Torrit competition, the first was in 2006. The scene is from Buckhorn, a late snow on budded trees. Click here for details, you can see last year's entries. Gamblin Artists Colors: Torrit Grey Competition
Spring Interrupted by Snow, 8x10 oil
Saturday, April 26, 2008
Buckhorn State Park
As I pack up sweaters and gloves for the season, I find myself putting snow pictures away as well. Painted last year, this is the road through Buckhorn that I use to drive to Niagara Falls. Having had less snow than cold, I rarely was on a snowy East-West Park Road this winter. That's a good thing.
The painting was acclaimed at Quaker Bonnet, it created a contrast with the Allen Street buildings-kind of a window to the country.
The Road to Work 22"X28" pastel
Wednesday, April 2, 2008
Not so black & white
I thought it was Spring & awoke to fresh white-but not a lot. It was just enough to cover almost budded branches and create a winter wonderland-in earliest Spring. From my favorite Buckhorn road, you can see me surrounded by beauty. I am considering a B&W painting, but I still see the colors-shall I leave out the pinks or the golds?
Watch for the painting!
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