Upper Rapids, the fury of water

I am working on the perfect painting to capture the sound and fury of the upper rapids of the Horseshoe Falls. This is meant to be a really loud painting, I want you to hear the water crashing as it races to become a cascade. A blend of Plein Air and studio work, it woke me last night with the sound of water running, not as loud as I expect it will be, but loud enough for me to have to check water faucets!

I know that paintings can be powerful; I am putting enough power into this that it may dribble.
To be continued!


In progress (Untitled) painting on location, 12x24, oil on canvas 2011

Is this an old church in Canada?

A summer weekend at Artpark with the Niagara Frontier Plein Air Painters during the wine trail tour was a perfect place to paint. Surrounded by artists and wine, lots of people who were all in a great mood and not in a hurry--who could ask for more?

This is a Canadian building, perhaps a church, across the Niagara River in Ontario. I am not familiar with it by driving along the Niagara Parkway so it must be nestled in Queenston, behind those lovely historic homes and businesses. The river had a Caribbean color to it that day, reminding me of Cancun.

Canada from Artpark, 20x16 oil 2010

Niagara Frontier Plein Air Painters at Niagara Falls

Here is a peek at an oil painting that is drying right now...a morning that started with a rainstorm turned wonderful by a 9am start for the NFPAP paintout last week. The hardy painters who arrived at the Falls gathered at the top of Terrapin Point to capture the Horseshoe Falls, while I chose a spot midway between the staircases. I thought I would be safe from too many tourists; boy was I wrong! I actually welcome an occasional interruption as it gives my eyes a break and allows a little mind shift from paint. However, entire busloads of visitors gathered round my easel---and then started asking me to turn and pose for them. My photograph is traveling around the world on many tiny memory cards as I write.

I'm thrilled with how this piece of Niagara turned out, it's hard to see well with the light glare on oil, but it is mounted on my portable french easel which is folded closed. The big plastic bag holds odds & ends, camera, lunch, canvases and such. At the Falls a plastic bag is mandatory-I never know when the wind will shift and drench everything with mist.

photo by Joan Shaw

Spring Greens from a Three Sisters Bridge

On May 5 I published my new portrait, with an in-progress painting on my easel. Here is that finished painting which accurately portrays my experience that day---EXCEPT---there is no roar of water hammering rocks & racing downhill. It doesn't even LOOK like much noise here, but behind me, the water continues to cascade towards the big falls, and to my right all the water that is destined to go over the great Horseshoe is pounding boulders beyond the next little island.

So, dear viewer, when you see this painting please add your own sound track, as when I see it I definitely hear the tumultuous thunder of our water, all 50,000 cubic feet a second racing to the precipice.

Spring Rapids from the Second Bridge 10x20 oil, 2010

Whirlpool State Park Rapids

Standing up on the hill at Whirlpool State Park, looking up-river (which is south around here, the Niagara flows north) I painted this in a flash. It was a spectacular September Thursday morning & I had 90 minutes to waste/kill/wait. I raced over to meet other NFPAP painters in the park & concentrated on the rapids as the water rounds the bend before the whirlpool. 

I should have 90 spare minutes & a small prepared canvas on sunny warm days more often!

Whirlpool Rapids, oil 4x6 2009

Painting the same scene 3 years later

This is water rushing through the gorge after cascading down Niagara Falls, it is called the lower river, but still too rocky & rough for boats yet. If you have looked around my studio, then you may have seen a similar painting behind the door. Several years ago, as a new plein air painter, I went to Whirlpool State Park, leaned on the gorge rail & completed an afternoon view of the bridge and lower rapids. The Niagara Frontier Plein Air Painters, hosted by painter Carol Mathewson of Youngstown met at the park this month, so I chose the same composition. 

Comparing the two paintings, it is not evident that they were painted a few years apart, instead, it becomes obvious that they were done at different times of the day. This is a morning painting, while the other was made in the afternoon, reversing all the lights & shadows!

The difference that I notice is I can now attack a composition, lay in local colors confidently & block in shapes to start faster. This is definitely a result of practical experience, many days have been lost to changing light & capricious weather. The 2nd difference is the view-lots of vines & shrubs have grown into the public  viewing area. I  admit to having pulled aside several yards of Virginia Creeper in order to see the gorge-and I was standing along the viewing rail.

 Whirlpool Bridge from Whirlpool pastel 18x12

American Falls painting-the wettest

10,000 cubic feet a second at the American Falls? This Niagara oil was painted in Fall, but I have certainly taken my time to re-photograph it. As you look at water right after the brink of the American Falls, you see that there are areas where the water hits rocks on the way down, creating new cascades.

I chose to re-publish this picture to celebrate summer. It was painted on a summer-like day, which hasn't happened often this year. Mid July, & I thought about wearing socks with my jeans today. What's wrong with that? Well, I usually put my jeans away for a few months to wear shorts & bare feet.

It was bright enough to take pictures this morning-& not windy, so I think the final two paintings can be laid out for the 2010 calendar. I had shot them a few times before, but the late day light is too warm, & the early day was too blue! I'd rather have them right in the camera than adjust colors afterwards for printing. I really miss the camera, umbrellas & strobe set-up for taking photos I once had in my Niagara Falls High School classroom. But that's all.

Steps of Niagara, oil 16x20, 2008

2010 calendar planning

UPS safely delivered a double-boxed cardboard order Saturday-the new empty calendar cases for 2010. Planning next year's calendar, I had finally decided to create a 12 month 'Niagara Falls' series, which is a bit harder than I thought, since I had already selected at least 4 Falls paintings-the best ones-for each of my previous four calendars. Keeping with my plan to feature only new work, I am boggled by a variety of selection  conditions. 

1), horizontal images work best with the calendar. 

2), who wants 12 pages of blue water? 

3), not every painting qualifies; I'd be the first to say that not every composition is up to a 30 day analysis by my public. 

4), all the images need to be finished & selected for layout by the end of this month!  

5), I was a cold weather chicken this winter & did not venture out much to paint the ice & snow mounds en plein aire at Niagara.

This painting will be one of the spring images, it was made on one of those sunny early Spring days when people come flocking to the walking paths to wish away winter. Still cold along the water, the buds had started on some bushes.

Dance on the Rapids oil, 11x14 2009

Studio challenge in January

In the warm weather I always paint outside, but I also take A LOT of photographs. This past year I collected images of waves and water in a variety of weather & places. This is a great tumble of water before going over the American Falls, painted from a photo taken from the Niagara Falls State Park pedestrian bridge. This is entirely studio work, carefully rendered as opposed to the speedy plein aires which are painted on location under various uncontrollable conditions of wind, weather & tourists.

Rapids Up Close 16x20 oil 2009

Grand Island Painting

Kath Schifano oil painting, 36x48 Grand Island NY

Nearly finished, this is a 'grand' island painting, as I have been painting it pretty steadily for two months. I put off plein air days with my NFPAP & Paletteer friends to get it painted, but attention was needed! It turns out that choosing this house view included detailed background, middle & foregrounds & broke all the rules I usually paint with.

Whenever I went to shoot reference photos the guest house & pool were in use, people were having fun & using the space. That influenced me; as an 'architecture portrait' artist I wanted to include all the important details. The owners have restored, planned & organized their home & gardens carefully, even the paths work well to connect the areas. What could I leave out?

A grand part of this is the canvas size, at 4 x 3 feet it was like having another person in the studio. I had to walk around it, address its location with the lighting & my paints, get away from it to evaluate from a distance. I especially enjoyed my heavy wood easel & the wheels on my chair as I rolled back & forth to the palette. When it is completed & mounted in the frame it will be 5 feet wide by 4 tall.

Summer on the River  36" by 48" oil on gallery mount canvas

June at Niagara Falls

There was a chance of showers, but the sun was out, so I headed to the State Park to challenge the rapids. The 2006  'Islands in the Curve' was purchased by staff at the State Parks, I especially liked the painting-it is July on the calendar, so I decided to try the composition again. The islands have grown, and the weather was sometimes overcast-in addition there was a misty breeze swirling that kept me, the painting & palette slightly damp. The photo was taken by a California tourist. I gave their daughter a business card to look up the painting when it was complete. Dad took the picture & used my address to send it. A few plein air painters don't enjoy interruptions, but not me. It is a chance to look away from the subject and the paint & look back with a 'fresh eye'. Most people are cautious & wary, they just want to see real art, murmur 'lovely' or 'so talented' & walk on. Kids pay attention to the palette, the brushes & process. So many say they paint at home & school. Life is good, so I stayed to paint a close-up of a dent in the Falls further to the right side-a rock & it's splash. While working on the second painting, the first blew over-the dark spots in the cataracts are not fish, that is plein air painter's dirt, stuck to the oils.

'New Curve of the Falls-2008' 8x10, oil on panel 2008

'Horseshoe Divot' 5x7 oil on board, 2008

Spring in Prospect Park-Niagara Falls

Unfinished, I have to share this bit of Springtime. Tulips, forsythia, fruit trees in bloom, buds & blossoms everywhere. Started yesterday, I laid in most of the colors & shapes you see before I lost the light & got frustrated. For the first time, I returned with a wet painting to the same site to finish it. It was still overcast, but bright and I was able to put in the bench & streetlight. It just needs to get a little skin on the whites so I can glaze the big white tree with a bit of yellow & punch up the white gloss of the globe. The whites were entirely too wet to do anything with yet. So much for plein air. At least the national definition is 85% complete on site. It won't take more than 5 minutes to glaze once the paint sets up. 

Spring in Prospect Park, oil 11x14 2008

Niagara Falls Paintings

Painting outdoors is definitely seasonal. Although I paint outdoors in the winter, the warm weather has a greater appeal. It's time to paint Niagara Falls and capture the Spring greens. I just hope I can still open all the colors in my traveling easel.

Painting Night in Winter

This gem was inspired by the best (and final) snowfall of the winter. It had snowed lightly, but steadily all weekend, trees were spectacular weighted with snow. This is earliest morning light, facing East on Huth Road. The streetlights are yellow-orange in color, casting long violet shadows. These trees are now blooming with Spring leaves; the painting took me longer than any other I have done. I also learned a great deal about using glazes and multiple layers of color to build depth while I worked up a sore shoulder from all the strokes required to create the branching. This is the absolute opposite of plein air, but is influenced by all I have learned by painting on location as well as the series of studio oils completed in the past few months.

Out of place with blooming Forsythia in the yard, I look forward to the summer, as I look back at what I was able to capture during the most beautiful weather event of the winter.

Snow Before Dawn 28"x22" oil

Falling Water

'Steps at Niagara', 16x20, oil Having painted the Falls en plein aire at different times, I challenged myself to choose a section of water and paint it closeup-except I was thousands of feet away. These steps are on the American Falls, near Luna Island. They take up about 1/3 of the total height of the water in this area.

Worldwide paintout footage

YouTube has a video of the Worldwide International Paintout site in Niagara Falls Ontario last weekend. It's nearly nine minutes long and includes television footage of the event. I am the seated artist, facing the gardens, with greens & an archway in my painting. It is from the 60 minute quick-draw part of the competition. You can see many of the finished & framed quick draw pictures, including mine, hanging on the chrome grid by the tent. Hah!
I tried to cut & paste this address-but all I got was this still picture. Guess I should read directions. It's too long to watch unless you know everyone anyway!
http://img.youtube.com/vi/27h96QudC2Q/2.jpg

IPAP Breaktime result

I was painting in the Worldwide International Plein Air Paintout in Niagara Falls Ontario. Sherill Primo (on the walkie-talkie) asked for feedback on her painting. It was quite lovely! When I returned, there was a crowd in a line behind my easel. ---They were looking at my painting and the scene. What a shot! Several left when I pulled the camera out, but they left enough space to take this photo. That is my portable easel and carryall in the center.

While painting, a breeze blew the Balloon ride in front of the Casino & it reflected in the glass building. Then it landed & never went up again. I waited an hour for it to take off again so I could paint it in the sky, I suppose it was grounded. I have to use a reference photo to finish the balloon shading. The resulting painting "Skylines" 16x20, oil, has a foreground of large red Canna flowers mirroring the positions of the USA buildings.

Living on an island

North North Bridge, pastel 11x14

100% of the bridges on Grand Island are rated below poor by the Thruway Authority. However, artistically, I would rate them higher, the arches and the curve are quite graceful, and the views are amazing in all seasons. My favorite time is early morning in Spring, when the river haze diffuses the colors of dawn and the horizon is just not there. The only color is brilliant, blinding gold reflected on the water where the sun breaks through.
Everyone is talking about the bridges to Grand Island; their truss support system is the same-but older-than the bridge that collapsed in Minneapolis.