A story of two paintings.

Several years ago I was invited to participate in the Westfield NY Plein Air Event, a week of painting at various sites, meeting artists, some get-togethers and dinners and a final public exhibit and sale.

A day was scheduled at Johnson Estate Winery. In the morning I trekked the tractor path up a hill and painted a lovely barn scene surrounded by the vineyards. After lunch I settled my easel under a sour cherry tree in deep shade, so cool on that hot summer day. For several hours I worked on a painting (framed, below). Although it is a lovely memory and a fair painting I continued to have concerns about it-was it too realistic, too hard edged, not painterly, well, just too something to me which I couldn't define clearly. 

With all the studio time we have now (as I am social distancing) I felt I should tackle my problem. It turned out that I probably won't ever change the first painting since the composition is okay and it is a lovely close up of the tree. 

I decided to repaint it as an experiment on an old canvas, a hard edge abstract that I don't remember painting. After sanding the old painting a bit I sketched the cherries a bit closer and oversized. The canvas is twice the size of the original. With some serious planning and evaluation I adjusted leaves, added fruit on the top right and poured on paint with large brushes and bravado, mostly using old paint tubes of odd colors. After all this was an experiment on an expendable surface as well as rejected tubes of colors.

I love the results of this experiment!  Reused canvases, painted over failed pictures, practicing new skills...and coming up with a fine painting on top of a discarded image is a welcome result. I can't actually regret painting on old canvases when the new picture turns out well, because the colors underneath probably influenced the new image. That is one more reason I always prefer to paint onto toned backgrounds.

Sweet Sour Cherries 16x12 oil on birch, © 2016

Sweet Memories 22x18 oil on canvas © 2020

River Art Gallery Plein Air show

The bottom picture, '186 Linwood' and flowers on right are mine

River Art Gallery, the pink building in North Tonawanda by the theater, is a lovely art space. Three paintings in the current show, 'Plein Air Landscape, Discovering Nature' are my plein air works.

Exploring Meo Modo

An exclusive estate has to have amazing foods, and this did. Everything was organic and delicious. The morning views were spectacular as Mist rose from the mountains and farmland. I explored the shapes and moods of Borgo Santo Pietro with pencil and pen, deciding what to paint and how to place it on the surface. I frequently draw scenes to become more familiar and that helps my final painting.

The second photo became my plan for a large painting.

Have breakfast here. 5x7

Winning is wonderful, but I forget to share it!

Two years ago I participated in a week long plein air event in Westfield, NY. During that week I stayed with friends and spent most of each day painting, there were several evening events for the artists and a lovely weekend art exhibition.
While there, I discovered the local bakery, Portage Pie where you preorder dessert pies or take a chance they have an extra. I left a fun painting of the Portage Pie shop with my hosts. The next year, the building which had been blue for as long as anyone remembered, was painted brown. Just another example of a plein air artist capturing an image that doesn't last.

Nearby Barcelona Harbor, which is along the nearby seaway trail has an eclectic collection of new and vintage boats including liveaboards on shore and rusting hulks in assorted places. I was attracted to a majestic sailboat in the harbor; while I painted a gentleman sat quietly eating for a long time so he was added to the boat portrait. Later I met him and thanked him for eating his lunch so slowly.
"Lunch?' he said.
"I only had a donut."

At the Riverwalk Exhibit in Tonawanda this summer that painting was selected to win an honorable mention. The announcer prefaced the prize  announcement with "This painting is of my favorite places, Barcelona. We are thrilled to be headed back to Spain next Spring."
Sheepishly I informed her that it was the Barcelona on Lake Erie and we all had a good laugh. So pleased to have had such a successful year with my paintings. I need to keep up with this blog better, the paintout was two years ago and the River Art Gallery sponsored prize awarded two months ago. Old news can still be good news.

2 Masts In Barcelona, 20x16 plein air oil

In progress, a season of sunflowers

Not titled yet!!! c. Kath Schifano

This fun old truck is parked at Sunflowers of Sanborn to add to the collection of curiosities that make a visit here special. The painting is in progress here, wet and on the easel.

The view from my parked car. 'Best parking space view' award.

Inside the field, you are surrounded by the joy of happy visitors and the sunny faces of the plants.

‘Calm’ A pastel at Tifft preserve.

Calm 12x16 pastel Kath Schifano

Beautiful, lush, quiet, peaceful, and natural Tifft Wildlife Preserve is a jewel of a place, formerly a massive and useless brownfield in South Buffalo. It used to be a busy railroad terminal for industry, full of crisscrossing tracks and the junk associated with a zillion old trains. With a great deal of help from  the community and government it is now a large sanctuary open to hikers and interested people. Nature has totally reclaimed this place. A few years ago you could see rust and grain elevators in the distance, as trees grow, that view disappears.

Love to paint here, I think some of my most peaceful moments painting happen here, every painting has a story. Ask me about the turtles. This calm pond sometimes has egrets and herons on the shore, it always has ducks and turtles and fish. Bring the kids, find peace.

Farm to Table in North Tonawanda

Partner's Flowers, 9x12 pastel c.2018

Who can resist an evening paintout? These are marigolds and coleus in a window box in front of Partners in Art, North Tonawanda. The Farm to Market dinner was happening in a few hours and I was assigned to paint outside of Partners in Art. I had planned to include the majestic marquee from the restored Riviera Theater in my plein air but didn't have a clear angle of view. I sketched several historic buildings across the street but was still not inspired. However, when the music began I was suddenly sure of my subject-the huge planter of glorious red and yellow on the sidewalk by the shop. 

A lovely dinner on the Webster Bistro patio and a perfect evening with artist friends finished with a visit to where Ylli Haruni was painting. Graciously, he stopped painting his own picture to sketch me while Caedyn and I chatted. What a treasure, he flattered me by eliminating about 30 years. I even approve his adaption of my all day in the sun hat hair. I hope that the joy he captured in this picture comes across to everyone I meet.

Kath in pencil,  by Ylli Haruni 

Playing in the Sunflowers

We decided to call it Tailgating at Sunflowers of Sanford with a number of other painters Arriving all morning. Arriving early, we backed our traveling studios to the fence and painted away on another spectacular WNY summer day. As part of my process I changed a photo to B&W to check the balance of values. I touched the painting up a bit after I came home; driving home with windows wide open isn’t a great idea with a pastel painting in the back.

Wind Dancers, 12x9 pastel c. 2018

Burchfield Nature Park

Buffalo Creek and Burchfield, 9x12 pastel c.2018

Sharon Fundalinski and Peggy Walker introduced me to this park at least ten years ago and every time I return it is a lovely day with slowly rippling water, little kids with grandparents, people walking dogs and peaceful nature sounds. Many of the stately trees are gone as the creek has the potential to become fast and furious and the trees roots are eroded, year by year as they age.

 

There are still a few massive trees that may have been painted by Charles Burchfield. He lived directly across the creek from this one.

Fort Niagara Lighthouse

This is my view of
the lighthouse, about 5 minutes into my preliminary drawing, when the buses arrived.  Not interested in using yellow I decided to paint the upper part of this lighthouse. It was a scorching hot day and there were no trees so I had set up in the shade of my car, with the back extended and a shade umbrella attached with bungie cords.

I met so many nice people, tourists from all over were on vacation and headed to Fort Niagara. Best part was espying a revolutionary uniform or other traditional dress as colonial actors reported for work

The painted view above the buses

North By Northwest, 12x9, oil on linen panel, 2018

Another Buckhorn Painting, Spring with a bit of snow.

From the canoe launch on the south side of the park, there is a small inlet that connects to the creek. I painted there on a sunny spring day with ducks and herons and fishermen all around. As I painted, the little bits of snow remaining from a late storm melted.

Spring Equinox, End of Winter, oil on canvas, 9x12 c.2018

Sitting here to paint these rocks=Perfect Day!

 This is just one little piece of the fabulous Niagara Reservation State Park. Three small islands in the upper rapids provide spectacular views of the rapids, but sweet views are abundant as you walk across each of the bridges. Check my post on 3/23/2012 for another island view. I've painted, but not posted, this same boulder several times. When I returned a week later the bushes in the foreground had grown so much that this view was no longer visible. This is one of Niagara Frontier Plein Air Painters favorite painting spots. I schedule us there every year.

In progress 'Between Bridges"

Between Bridges, 16x20 oil c. K Schifano 2018

Wilson, NY with NFPAP

Lighthouse Tower, c.K. Schifano

A group appointment to paint together on the shore of Lake Ontario means I can buy fresh vegetables on the way home. The nice bunches of asparagus I saw on the roadside were gone by the time I was finished, but the garlic sign was up. The garlic farmer gentleman cutting the grass was fun to talk to but unfortunately the garlic isn't ready until July. He said I could come back and paint there...and bring my friends. Angled trees and various sculptures added to the charm of his multiple farm buildings and gardens.
I wanted to paint the Wilson Restaurant but did not have a vantage point to see it from the public area and the homeowners were not around to give permission. I did have a nice view of this new building which is actually a residence and hotel, there is also a marina gas pump nearby. The boats along the front changed frequently as they filled up. The one I painted was pretty big and took a while to fill the tank. I cannot imagine what their bill is to fill it, probably they could afford this painting for that price; the painting would last a lifetime while the gasoline is just a memory.

Lighthouse Tower, 12x9, oil on linen

A NACC Art Award for Plein Air

The Light in the Tunnel, 20x16, oil on canvas
Award for Excellence in Plein Air Painting

Pete's Tavern 18x12 pastel on Wallis 

The annual Niagara Arts and Culture Center's summer exhibit "Beyond the Barrel" is always a fun event and a chance to catch up with artists in the center, two gallery shows and friends who hibernate the cold months. These pictures were my two entries, and both were accepted. I try to apply for this show every year, in 2018 the show was appended "Inspire".

At the reception 'The Light in the Tunnel' was awarded the Vjolla Cela Award for Excellence in Plein Air Painting. The certificate hangs by the painting throughout the exhibit and I also received a cash prize. This lovely show of mostly WNY artists will remain in the Townsend Gallery until July 29th.

The Sunday Niagara Gazette published an article and a photo that you couldn't miss in the Night and Day section. These kind of recognitions are flattering, but also reinforce my dedication to creating art that says something, that contains the spirit of the place it is produced. 

The saying 'paint 1000 pictures before you are a painter' is true. Check.

An interesting development

When I saw clear bags in an email from Judson Art I clicked the link to see if the prices and package sizes would suit my needs. They did! But a few days later I received an email from Judsonsart.com apologizing for using the image of my painting in their advertising without giving me credit.

Oh my, I saw the ad but didn't notice my own painting! 

I said no problem just add my name in the future. The email reply was "whew!"  Apparently someone else had taken a big offense in the past or they misjudged me as a typical New Yorker who would be litigation happy. Nope, not me. If you click the link, you will see the ad and a credit that I painted it.

The painting is "Sunflowers From the Porch"

Finally, I resolved this problem

In October 2016, I posted this painting in progress, incomplete and still on my easel at Three Sisters Islands. There was something about it that kept my interest but also bothered me. I finally figured it out this summer when I stood closer to the rock and studied it. I needed to paint the transparency of the underwater part of the rock. In one minute in the studio I added a few drops of paint and it was done. And I like it much better.

The 4th Isle at Three Sisters, 16x20 oil on canvas panel c.2016

Danielewicz Farm Sunflower paintings

Facing The Wind

I've Got A Secret

Yellow Joy

These are three of the four paintings completed during the Labor Day weekend sunflower extravaganza. It was the most exciting time as everyone was happy and excited to experience the acres of beauty. Each of these is pastel, I also made a large oil picture, yellow flowers and blue sky blazing.

Sunflowers!

 Wow. I saw pictures on FB, a lovely color spread in the Buffalo News, how could I resist? 

A few weeks ago my favorite painting of sunflowers was purchased for a presentation at Niagara Falls Memorial Medical Center. When I saw photos of this field I knew it was time to paint more sunflowers. A chance to see another field involved several hours of driving so I didn't go. Now I could find one 15 minutes from home in Sanborn.

This field was just an idea last year, farmland owner Louise thought planting sunflowers would be novel but had no idea it would turn into a media event. I met her kids and friends as well as dozens of people stopping on the road to take selfies and family photos, a pro photographer was shooting a model with reflection umbrellas and Channel 4 news appeared. (I was interviewed) Cars lined both sides of the street and the mood was jubilant, how could one not be overjoyed to engage with acres of yellow?

Yellow isn't a common color to use  a lot on my palette when Plein Air painting, yellow items often look more tan unless it is fall leaves. This was an opportunity to collect all my out cool and warm yellow sticks, some hot golden orange with some purple for shadows, light blue to capture the leaf lights. Why ever I selected terra cotta red for my background is unknown but I love the contrast. 

This pastel painting is still taped to the board, waiting for the decision, stop now or keep working. It's looking pretty fine in my house right now.

Louise, responsible for this lovely event.

 A panorama that doesn't do justice to the size of this field of flowers. 

Finding quiet on the Richmond roundabout

 Kleinhan's music hall, Symphony Circle, Olmsted Parkway system, where am I? 

Behind the big old First Presbyterian church with a recently restored bell tower is a secluded entrance. A small garden was growing near the sidewalk. The elegant birches growing against dark medina sandstone bricks stood out like spotlights and the stained glass glimmered a bit from the interior lights. It was so peaceful away from the traffic circle. There was even a table for me to settle my art supplies. So that is where I chose to paint, at peace in the midst of the city.

Keystones at First Presbyterian, 12x16 oil on board, c.2017

Urban Sketching

 On River Road, across from Smith Boys Marina.

 Urban sketching is actually internationally recognized as a form of art. Working in a small sketchbook, with the time that I have, I capture whatever is in front of me. These are permanent and archival pen drawings, embellished with a bit of watercolor. Neat, clean, easy to store.

A friend's hollyhocks against the house.

Across from Bidwell Market.