I had already signed up for an artist workshop with Thomas Kegler a week after they arrived and one of the items on the supply list was objects for a still life. I grabbed some tomatoes, peppers, oranges, ribbons, small boxes to stack under the drapery and half the original bouquet to head to East Aurora and the Roycroft campus on a frigid Saturday. Three years earlier I had made a '5 year plan' of personal goals and attending an art workshop was on the list. Check! His Hudson River painters traditional style attracted me, particularly the way his surfaces are developed with glazing. Although using the Hudson River painters techniques are not on my short list, my experiences painting at historic locations in the Adirondacks these past two years have piqued my interest.
Tom's friendly attitude and open sharing of technique made the 8 hour class valuable to me, as a self taught oil painter I have read articles and books and painted next to many painters, but this was a challenge to actually follow someone else's instructions. Using odorless mineral spirits for an underpainting was the first big change, my mind kept going back to his demonstration and trying to follow his different approach to working on a canvas. Having already finished my 'first thousand paintings' it took effort to adjust what I already do, but I was able to experience painting in a new way for the day and had a lot of fun in the process. Overall, the biggest thing I learned is not in this picture yet. Final glazing with thin color adds warmth to the picture and brings out some texture in the brush strokes. When I do that I am going to try it first on another picture that was waiting for a finish, then come back to this one.
Although I have painted still life pictures and flowers in a vase before, this will always remain special to me, my sister sent the flowers and they are in memory of Martha.
Roycroft Still Life, 20x10 oil on wood panel 2013
Wow, do I have great sisters. If the computer rendering is accurate, I can see how a gloss with tint would POP the painting. The contrast and eye cathching features wil become part of a more complete appearing painting.
ReplyDeleteKath--
ReplyDeleteI enjoyed looking at your artwork and reading your comments. I especially liked this one.
--Owner of the white house on the corner in Cypress
Thank you, I have not added the final glaze to 'Roycroft Still Life' but it is still available. I have it unframed in my studio and it really is lovely. My art always returns to the flowers and vegetables, as I started my full time art practice with very large close up botanical illustrations. I am working on a composition with purple and white tulips now that I am home.
DeleteKathy