Art on Oliver Street

'From the Farm Market' has been selected for reproduction as a large scale artwork. It will be displayed in the public art program "Art on Oliver Street", sponsored by Lumber City Development Corporation. In March I brought the original pastel to the Pencil On The River printshop to be photographed and enlarged for placement in a business window.

The work will be installed during May 2019 and a public reception will be held June 8 at Project 308 gallery. The gallery will display the original artwork there. The large reproductions of artwork selected for this exhibit will remain a minimum of six months. I am excited about the prospect of seeing this pastel painting greatly enlarged and on display.

Thomson's Market Vegetables 13x19 pastel

Packaging a painting for mailing

Allentown Infringement, oil on stretched canvas 24x30

This painting was discovered online by a resident of Louisville Kentucky and she contacted me to purchase it. Well, it’s pretty big and there are a lot of nightmare stories about packaging for shipping. 

First, I covered the back and face of the framed canvas painting with an archival sheet and a piece of strong cardboard. Angled cardboard corners held the parts together and they were wrapped tightly with yards of a strong plastic wrap. Next it was placed in a corrugated reinforced box, encased in a giant waterproof plastic bag and then slipped into another strong box with pieces of thick corrugated blocks and bubble wrap. 

Packing tape closed up the packaging and the address was written on the box underneath the postal label, in case the solid taping of the label should somehow be damaged. Sent two day delivery, signature required and insured, and another happy client has an original oil painting to grace their home. 

Some fading carnations preserved in oil

Before Valentines Day, and for my birthday I bought a bouquet of pink carnations and split the bundle among several vases. As they dried and died I removed the faded flowers. Two weeks later I was down to this last little bunch and the realization that I could paint them on a particularly tall canvas. Not every flower made it onto canvas and I didn’t have a title so I went back to my Facebook friends for suggestions. My titles are usually fairly practical and descriptive. Sometimes the title is meaningful only to me yet the observer could interpret it another way.

Connie Garver won by counting the flowers and the buds. And my birthday is the 13th so her title  achieved a double meaning.

"13 Carnations" 12x4 oil”

An “Award of Excellence”

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A year after it was painted I retrieved this painting from Houston. Painted en Plein air, it wasn’t dry enough to pack for travel. When I arrived home I could see the difference 1500 miles makes in the sun and angle of light of the season. Texas, big sky country, seemed to have closer, lighter clouds and softer blue in the sky, and while it snowed here in New York it ‘sunned’ there. I loved the painting so I chose to enter it in the Spring exhibit at River Art Gallery. 

I was fortunate to overhear our judge as she previewed the works and passed my painting. “That’s accomplished.” Although we later received her written comments, I felt that that two word comment had great meaning to me. At the reception I received an award of Excellence which was a wonderful affirmation. There was a lot of great work at this juried show and it humbled me to be awarded a great prize. 

The last three days of the January challenge

My feathered friend usually stands above the kitchen cabinets but I had no fresh vegetables and was feeling quirky. He’s made of real feathers and silly plastic feet with wires to hold him upright. The title came to me while I set up this still life, having painted eggs several times already during this daily challenge. 

"The Eggs Came First" 16x12 oil

Roses always fascinate me and this had been saved from a friend.s event several years ago. It was extremely dry and fragile and fell apart when I was finished. Untitled, I asked my Facebook friends to name the painting and had many great responses. I chose one that was quite accurate and could tell a subtle story as well. Title by Alice Gerard.

"After the Date" 8x10 oil

On January 31 my challenge was nearly complete. Some of the artists world wide (Over 800 finished and posted 31 daily paintings, hundreds more tried to) suggested self portraits for the final image. Never one to turn away from a challenge, I did mine. I’ve painted myself before, once from a reflection in the window, another time from a photo, but mostly looking in a mirror. I actually went out and bought a mirror for this. It was one dollar at the Dollar Tree, much larger than the hand mirror I had planned to use. Self portraits usually have an intensity of observation but it was such fun I fortunately didn’t have a grimace looking for shadows and lights.
"C'est Moi" oil 16x12

Refrigerator finds for daily paintings.

Here are three ‘ Refrigerator’ paintings from the daily challenge. Vegetables are good models and they encourage quick paintings as we like to eat them. This ceramic bowl seemed like it would be a challenge and I’m pleased with how it looks. 

"Purple Rubber Band", 11x15 oil 

I twisted and turned this head of cauliflower to get the perfect view without it tipping over. It was already half eaten from someone’s meal. Then, I chose the wrong format board to paint it on. It probably deserved a larger surface, but it also should have had a squarer shape. It was a huge challenge for a single vegetable on a small board. 

"Foxy", 7x5 oil

A little magic here, I changed the plate from orange to blue but respectfully copied the shadows and hilights. My homemade light box was helpful here.

"Good Leftovers". Oil 11x15

These grapes came to the studio with me as a snack. As I propped my legs on the table and looked at the birds in my tree, I considered my next painting subject. Aha! I wasn’t ready to eat them right away anyway. The lighting was a little tricky because the shadows were necessary for this composition. They were delicious, too.

A Half Dozen" 5x7 oil.

Window watching in January

Snow! And sunshine! These two January Daily Challenge Paintings are views from my studio window.

Snow Day, 12x4x1 oil on gallery wrap canvas

The pine is the same tree as the previous painting.

Sun In January, 9x12 oil on canvas

An Apple A Day. Or Three? More from January challenge

3 Gala Apples brought me back to 1985. I was determined to be able to draw well and Walter Prochonik guided me in an independent graduate study at University of Buffalo. He set me to draw apples and I discovered the nuances of various kinds, the importance of light and shadow and it gave me a bit of daring to be creative.  Two full sketchbooks and I learned to see. I learned that seeing is step one in drawing, and persistence is right up there, too. 

I ate two of them and needed a new model. I put it outside my light box and used a stronger light here. Although it is accurate, I consider this a fairly boring painting, it doesn’t say much to me. I do like the composition and the way the shapes are balanced.

Carly Mueller noted in Facebook that Gala apples are better for painting than eating. She inspired me to be more painterly with the same Apple as yesterday. I put the brushes away and used a knife.

'Carly's Apple' by itself, painted with a palette knife.

A Gala a Day, 11x15 oil on Arches Huile 

The Third Apple, 9x12 oil on Arches Huile

Carly’s Apple, 11x5 oil on Arches Huile

Eggsactly.

Having painted whole eggshells, it was time to crack a farm fresh one and see what I could do. My table is tilted and I was sitting closer and taller than the photo. Finished, I thought the yellow bowl looked tilted but that’s the way it looked. Good thing I began with the yolks, as the day progressed they settled and slumped and their reflections changed. I had picked the biggest egg in the carton and it had two yolk, twins!

I’ve painted these three times so far and I am ready to move them out of the studio. They have dried and faded and are much lighter in weight now. The big one is from a goose.

Really Big Eggs Are Twins 8x10 oil on canvas board

The Blue Egg  9x12 oil on canvas

Limited palette colors

A calm winter day and an opportunity to paint with Jacq Baldini in Niagara Falls Ontario was a welcome Plein air day. 

This is the barge that came loose 100 years ago which triggered a frantic rescue to the two men on board. They didn’t need to hurry as it still hasn’t gone over the Falls. 

My palette shows the small selection of colors I needed on this winter day. 

The next two paintings in January challenge

I had a lovely holiday centerpiece that had seen better days but some of the flowers were still lively. I pulled them out and scampered in the yard cutting fresh greens for this one. It’s on black canvas, 12x9 "White and Red Mums"

This is small only 5 x7 but I used a palette knife instead of brushes. The paint is thick and wet, it will be a long time before it dries. "Sweet Onion, Sweet Pepper". I should use the painting knives more often. 

The third week, Stradaeasel challenge

"Eggplant Reflections" 9x12

After some success last week I have foolishly tried another larger composition. The little ones were going well, but, big picture equals more work and time. I do like this but it took me all day. I’m astounded how the dark eggplant skin absorbs and reflects colors.

1/14..  "Goose and Blue I needed a little break and worked small, very small with the trio of assorted eggs I have in the studio. It’s only 2”x2”.

1/15.  "My Peaches" 12x9 oil. Painted them, opened the jar, and served peach shortcake. Creating the glass jar was a lesson in careful observation.

1/16. Halfway through the challenge. "Oh. The Garlic is in the Studio" 3x3. It would have been a whole garlic bulb but one of the cooks here required a clove. 

Strada Easel challenge continues

Packing up Christmas, a few items caught my eye. Whether it was nostalgia or an interesting shape, I set a few things aside and left the last storage box open a little longer. 'Big Man at Christmas' is a push puppet, you press the bottom and Santa collapses and it is a favorite of all ages.
The Elf on the shelf figure is plastic, he has a box that can be filled with a few pieces of candy. Doesn’t every home deserve a mischievous elf?
Ideal Shoe is very old, and I’m not sure who wore it. It's soft leather and a high top so I’m guessing it’s a mid century baby. We have a collection of baby shoes that hang on our tree. Tiny, they join the other ornaments in proclaiming memories.

1/4 "Big Man at Christmas" 7x5 acrylic

1/5. "Packing A Surprise". 7x5 acrylic

1/6.  "Stick Your Tongue Out" 5x7 acrylic

These are mid century or earlier baby shoes, high tops made with soft soles and leather. We have several baby shoes with our ornaments and they are welcome memories on our tree every December.

Interviewed and published, Creative Mornings Buf

Creative Mornings is an international movement to bring speakers and ideas to audiences in hundreds of locations around the world. I have been attending Buffalo's monthly presentations for two years, meeting new people, finding organizations and groups that make our city a better place and being inspired by volunteers and selfless citizens.

I was interviewed as the person of the month on the subject of chaos. The whole interview is on their website but here is an excerpt on how I deal with chaos that was published on Instagram by CMBuf. 

The second week of the challenge

Suddenly, the challenge got difficult. I am searching for a subject daily as it requires observation and painting from life. I had these eggs in the studio from a failed painting that seemed like a good idea. It was time to give them another chance and I chose 5x7 watercolor paper and acrylic paint. Better than my first attempt last month, but these eggs are not leaving my studio until I’ve captured them to my own satisfaction.

A trip to the market and I now have models to look at and choose from. I carried several vegetables up on a napkin and dropped them on the table. A little fussing and I thought I had a good composition but it turned out to be quite ambitious for the time I had left to paint. I may go back to this when the challenge is finished as I see there needs to be more unity between the background and foreground. 

"Vegetables". 12x12 oil

1/9.   I love this! Suddenly my brushes are doing what I expect!

"This Painting Smells Like Strawberries" 9x12 oil

1/10.  "Mailbox is A Distraction" 7x5 watercolor and ink

On this day I worked in the gallery so I drew the view out the window. I’d like to see that mailbox get straightened but it is attached to a crooked concrete slab. I was stunned by the number of signs at the Pearl/Linwood/North intersections in Buffalo. There were more street signs than I included here.

The strada easel January challenge

The Strada Easel company sponsors a challenge to paint from life every day in January, if an artist posts a new picture daily, they become eligible for a new easel. Is there an artist anywhere that isn't intrigued by the prospect of new equipment?

Because I bake and party and decorate and host and travel during the end of the year, I purposefully stop painting for 5-6 weeks. I still sketch and draw but the paints are packed. Getting back to painting is easy because I've been thinking about new projects. To get back in 'shape' I decided to try the challenge. Years ago I did a painting a day for a month and it was rigorous and time consuming but well worth it. My skills went up a notch and so did confidence. That's my goal this month.

1/1/2019 Two handed Balance 4x4

1/2/2019 Too Small 5x7

1/3/2019 Defying Gravity 8x6