Saturday's intense gusts almost took out this setup several times, a collection of bungee cords attached everything in winds up to 50 mph. I set up in the shade of the railroad bridge, not realizing that I put myself into a windier place than an open site. I eventually moved under a tree and still had to fight the wind, all my available equipment was used to weigh down the easel. The red line in the sky is a hook attached to my easel drawer. I chose to paint the Remington Tavern because of the historic architecture [formerly Remington Typewriter] that was adapted to become a great restaurant, but also because of the beautiful flowers bursting forth from their canopy.
Working in shade allows colors to be recorded more accurately, if someone paints in sunlight, especially when the sun is on the canvas, the image appears dark when indoors. Often my huge artist umbrella protects art in progress and the palette more than me. I could not use it here due to the high winds; otherwise boaters would be fishing me and all my supplies out of the Erie Canal.
The Carnegie Art Center sponsored this paintout in the North Tonawanda area to coincide with Canalfest. This Remington Tavern painting was displayed in the beautifully restored Riviera Theater where the giant organ was played to the delight of the crowds.
Breezes at Remington, 11x14 oil.
This is a link to a newspaper article by Jill Keppler, click to read it for my 'quotes' and a little bit of background on the day.
This is a link to a newspaper article by Jill Keppler, click to read it for my 'quotes' and a little bit of background on the day.
 | Chasing light, catching shadows
Source: tonawanda-news.com
There are life lessons in plein air painting: It's all about location. Life keeps moving. Travel light. Embrace imperfection. Roll with the punch
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