One more curve of the Horseshoe Falls

I seem to never tire of this view. Two years ago, at my November open house, Marian & Bob Granfield purchased a pastel with a similar view and later another customer was also interested. She asked if I would please copy it for her.

It was a plein air, painted in midsummer heat as I scrunched myself and art supplies under my big white umbrella attached to the guardrail. It would not be possible to recapture the same heat and energy of that day without returning to the falls in hot sunshine.

It remained on my 'to-do' list, but the light or time was never right and two summers passed. However, during the Worldwide Paint Out in September 2011 I had set up on the state park lawn with a friend, Joan, to capture the Saturday afternoon light over Canada. Without thinking about it, the curve beckoned me and this is the result. A little closer view than the first painting, I was surprised that it was similar in colors to the first painting and sure Jennie would be pleased when she returned to the studio. Well, this past November she came in and liked this painting but went home with another view. That was fine with me, I was not quite ready to part with the first one and now this is on my gallery wall for a while and we are all happy.

September Energy, pastel 12x18 2011

The eye sees more than the camera

Why I do not like to paint from photographs.......

Painting outdoors sometimes brings the weirdest comments, the worst of which is 'What are you doing?', followed by 'What are you Painting?' and 'Do you know my aunt in Ohio, she likes to paint, too.'
More often, people are respectful, interested and pleasant to talk to. Observers will sometimes ask about the composition or notice details that they missed in nature, but some commentators ask about a concept known as local color. It has to do with the actual colors that things are, what one sees. The best example is to look at tree trunks, I have yet to see a really brown bark, it is often greenish or yellowed or gray, yet ask someone what color a trunk is and hear the answer 'brown'. Since I tend to use fairly bright colors and contrasts there are questions. I can show them my view and the colors of my inspiration and they easily see why I choose my colors.

On a quiet November day, after all the Maid of the Mist boats were in storage I painted with Jacq Baldini  near the Canadian docks. I took this photo of my painting on the easel in progress. The near images are fairly accurate, but the camera was unable to record the colors in the weeds, Fall foliage beyond the waterfalls or the depth of the gorge walls. The light shining in the plume of the Horseshoe mist did not create shadows in the photograph, but in real life they are rich and colorful. If I painted from the photograph the canvas would be nearly gray and white while in nature my eyes could see so much more variation and color.

Being an artist allows me to study rich contrasts and details and record them better than any camera. It is a bonus to spend hours in nature, appreciating and recording the feel and sounds of the land.

Niagara Plume in progress, 18x24 oil

9th Annual International Plein Air Paintout

On the second day of my 9th annual International Plein Air Paintout adventure, I crossed into Canada to paint. Little did I expect that my favorite parking lot in the park would be gone, and I would have to pay big bucks and still have to walk forever with my cart, lunch, painting supplies and more. I was thrilled to pay only $7 at the Skylon, later it was $10, and when I left it was up to $15. I didn't find the other painters there, either.

I intended to paint the American Falls, and set up my easel and supplies in the shade by the railing. I happened to look through a small hole in the trees to my right and found the gorge full of dense mist, curling around below the river and rapids. Fortunately I had a small board with me and painted that tiny bit of bright water quickly, before the light and wind changed. Then I turned back to my original composition. The Bridle Veil Falls and Luna Island look quite the same, but there is now a 'dry spot' on the American Falls. There seems to be less water going over every year and I had not seen any water from the powerful cataracts course over this prominent rock all summer. Perhaps some rocks have fallen on each side, but I remember there being a trickle there 2 years ago.

Marshmallow Mist, pastel 6x12 2011
Split in 3, pastel 9.5x12.5 2011

Niagara, again

Still fascinated by the massive curve of the Horseshoe Falls, these two paintings were created 3 weeks apart from 2 entirely different locations. I am amazed that the colors are so close, but the weather and light were almost the same.

The first is from a bridge at Three Sister's Islands. I used my 'eagle eyes' to see this from more than a half mile upriver, choosing just a piece of the falls, west of the area I often paint. It was a brilliant sunny day and the mist stayed low.

The second painting is from above Terrapin Point, close to Top of The Falls restaurant. I have painted near this same spot for 5 years now, and have noticed frequent changes in the flow of water, the size and number of islands, and the fact that the trees growing there are starting to block my view! It started as an overcast day, I worked on the sky as the clouds started to break up and it turned into solid sunlight, similar to the picture above. This was painted during the International Plein Air Paintout, September 9-11.
Curve from Three Sisters, oil, 12x24 2011
International Mist, oil 12x24, 2011

Upper Rapids, the fury of water

I am working on the perfect painting to capture the sound and fury of the upper rapids of the Horseshoe Falls. This is meant to be a really loud painting, I want you to hear the water crashing as it races to become a cascade. A blend of Plein Air and studio work, it woke me last night with the sound of water running, not as loud as I expect it will be, but loud enough for me to have to check water faucets!

I know that paintings can be powerful; I am putting enough power into this that it may dribble.
To be continued!


In progress (Untitled) painting on location, 12x24, oil on canvas 2011

WIne On Third Art Exhibit still on the walls

Wine On Third is a neat bar & restaurant downtown Niagara Falls, a little jewel of a spot that is like nothing else downtown. The small plates are delicious and the wine list has a nice variety, there is a secret restaurant tucked around the side. My display was scheduled for July, a very nice opening reception was held on July 5th, right after the holiday weekend. 

The exhibit has been held over into August. Try to stop by, it is great to see so many of my large paintings displayed together. Besides, there is a daily happy hour and 40+ wines by the glass with inside and outside seating.

Rivershore colors

This Cayuga Island home portrait has been in progress on my easel for nearly 3 months and it is leaving me as a surprise gift to the homeowner. I had promised myself to never do another surprise house painting because there is little opportunity to spend time sketching the building and generating a personal relationship to develop the composition. Cameras flatten images and the eye is more honest. It happens to be cited on the water, surrounded by mature majestic trees so it was easier to select a view.

However, there are many details to any house and I did several 'drive-bys' to take pictures. The neighbors wondered what was going on, the kids playing hockey in the street just stared. It felt like I was lurking and clicked photos from the window of my car since someone always seemed to be home.

I took the first pictures in early Spring when trees were bare; this let me paint the sky, lawn and entire house and place the trees and significant branches. As the foundation plants grew in and trees claimed their shapes the portrait could continue. A fairly large painting, this is a lovely heirloom that commemorates the energy the owners invested in creating a lovely home.

There is always a little feeling of loss when another painting leaves. Now, what's next!!??

Rivershore Colors, 22x28 oil, 2011

A Stir in the Mist

A Stir in the Mist has been out for a few months now, it is the wonderful hard cover cookbook published by the Niagara Falls Boys & Girls Club. I am proud to be a part of such an ambitious project, the committee was aware of every facet of cooking, writing and printing this lovely book.

My painting, 'Masterviews' was selected for the sidebar of the menu pages, and it was purchased by Diane Cimino at the cookbook kickoff last November. In the cookbook it is printed in blue as a screen. A few minutes later, I had another customer wanting the same painting for an out of town gift-for a former Niagara Falls resident. It is entirely unusual for me to paint a copy of my works, and the original was purposely softer in contrast to allow cookbook comments printed over the mist. I told the Koester family that their 'copy' would not be the same, it would have different color and less mist. Also different in balance of the composition, I am surprised how close the two paintings are. It will be a lovely addition to its new home in Missouri.

Click on A Stir in the Mist to see the book and turn the pages. I also drew the illustrations of food and provided Niagara Falls paintings for the divider pages.

Masterviews, 24 x 8, oil 2010

Masterviews Too, 24 x 8, oil 2011

That's really a LOT OF WATER!

A plein air paintout on a late September morning resulted in a successful capture of one small piece of the American Falls. The photo was taken early, the water turned greener as the light changed. I placed it here to share my awe of the tremendous power at Niagara Falls. This was a joint paint out with Naiagara Frontier Plein Air Painters and Genesee Valley Plein Air Painters, so we all had an especially lively lunch discussing techniques and turpentine.

I toyed with the idea of including some tourists----it would emphasize the scale of the cataracts, but have instead decided to title it with a tremendous fact.

8,000 Cubic Feet Per Second, oil 16x20, 2010

Niagara Frontier Plein Air Painters at Niagara Falls

Here is a peek at an oil painting that is drying right now...a morning that started with a rainstorm turned wonderful by a 9am start for the NFPAP paintout last week. The hardy painters who arrived at the Falls gathered at the top of Terrapin Point to capture the Horseshoe Falls, while I chose a spot midway between the staircases. I thought I would be safe from too many tourists; boy was I wrong! I actually welcome an occasional interruption as it gives my eyes a break and allows a little mind shift from paint. However, entire busloads of visitors gathered round my easel---and then started asking me to turn and pose for them. My photograph is traveling around the world on many tiny memory cards as I write.

I'm thrilled with how this piece of Niagara turned out, it's hard to see well with the light glare on oil, but it is mounted on my portable french easel which is folded closed. The big plastic bag holds odds & ends, camera, lunch, canvases and such. At the Falls a plastic bag is mandatory-I never know when the wind will shift and drench everything with mist.

photo by Joan Shaw

Winter projects need Summer varnish

It takes about 6 months for oil paint to dry thoroughly, so I have been varnishing & framing artwork from Fall & Winter recently, but neither project is helped by the recent heat. It turns out that I often select paintings to work with, take a nice seat & then watch the birds or start to read.

When I began to frame this winter painting I had a burst of cool air as the ice at the horseshoe falls blew off the picture. It was pretty cold in the mist so this is not a plein air-I took a series of photographs and made the painting in my studio with the wind on my mind. Kath Schifano is not that dedicated or crazy enough to try this outdoors!

The walking area here is closed in the winter, those tall viewfinders are buried under several feet of ice. Not in this painting, the only way to see them in January is to know they are there-making small bumps buried under the huge, deep ice sheet.

It's aptly named for it's mammoth dangers as well as the Winter Olympics were held during my studio adventure with ice. You only get one try when you slide on this hill.

Olympic Ice, oil 12x24 2010

Sunny Day's Bonus Painting

On May 13 I posted a painting "Spring Rapids from the Second Bridge" of an upriver view from idyllic Three Sisters Islands at Niagara Falls State Park. I spent a long time on it & was going home happy with the results. Just past the islands, on the way to the parking lot, dappled sunlight lit up the path and brilliant patches of wildflowers in the lawn. It was stunning, and a quiet respite from the thundering water I had just painted.

I sat on the stone wall & reopened my french easel to experience the afternoon light on the path-I had an abundance of premixed Spring greens on my palette that I could use for this picture, as well as several well used brushes that were put back to work. I came home much later than planned, but sitting in the calm shade while I painted was a big contrast to standing on the breezy bridge and seemed like a completely new day.

Goat Island Path, 10x12 oil 2010

Spring Greens from a Three Sisters Bridge

On May 5 I published my new portrait, with an in-progress painting on my easel. Here is that finished painting which accurately portrays my experience that day---EXCEPT---there is no roar of water hammering rocks & racing downhill. It doesn't even LOOK like much noise here, but behind me, the water continues to cascade towards the big falls, and to my right all the water that is destined to go over the great Horseshoe is pounding boulders beyond the next little island.

So, dear viewer, when you see this painting please add your own sound track, as when I see it I definitely hear the tumultuous thunder of our water, all 50,000 cubic feet a second racing to the precipice.

Spring Rapids from the Second Bridge 10x20 oil, 2010

Spring at Three Sister's Islands

Niagara Frontier Plein Air Painters met at Three Sisters Islands to paint yesterday & it was exhilarating! It's nice to be painting outside again with Sharon Fundalinski, Peggy Walker, Joan Shaw, Manning McCandlish and more! We were settled on each of the islands painting our own views. In the end, some of the same blue/gray/greens were in each artist's picture, but they were all completely different.

I finished this scene on location. As I dragged my tired self & painting equipment to the car, balancing this big wet picture, I was struck by flowers growing wild in dappled sunlight along the path to the parking lot. I pulled out my used brushes & palette and sketched the shadowed path on a small canvas with oils remaining from the first picture. Both new paintings will be posted soon, they are too wet to photograph.

Niagara Falls Boys & Girls Club Cookbook

I have been working since last summer on illustrations for a hardcover cookbook to be published late this year by the Niagara Falls Boys & Girls Club. Volunteers have been testing recipes & preparing the chapters for a long time already.

Each page has a 'sidebar' that may contain information about this area, the restaurant a recipe is from, or some cooking information. This painting will appear there - gray-scaled & as a screen so that the type will show clearly.

My challenge was to find an image that would work in a format that is 3 times as tall as it is wide! They are considering using two different sidebars, so the next will be 'more mist, less land'. This scene took a few tries, but I am thrilled with the result. It is from Prospect Point looking across the Niagara River to the Horseshoe Falls.

Masterviews, oil on stretched canvas, 24x8 2010

Can't keep the small ones, so I'll work large

This is another large painting that lived on & off my easel for months. I have drawn this scene & painted this curve every year plein air & decided to try it in plain brain. I used some photo references, but mostly worked with the familiarity of having spent so many hours balanced on the edge of the park walkway studying the water.

I enjoy painting large, contemplating the composition & working on it over a period of time. On the other hand, I also like finishing a painting!

Thinking on Curves (Sound of Water 2) 24x48 oil 2009-2010

Great Lakes Garden at NYS Parks

In the Fall, Niagara Frontier Plein Air Painters [NFPAP] met at the Great Lakes Garden. It was planned for dramatic landscape color, so I paint there a few times a year. This day was chilly, and turned into rain as we ate lunch-outdoors, on the park benches. I finished the painting in the rain with aprons & an old Maid of the Mist raincoat over the easel to protect the painting.

Then I misplaced it. A few weeks ago, after it had dried, I took several paintings downstairs to be lightly varnished & left them there. Since I usually varnish outdoors, I forgot about this batch of paintings. I wondered where one of them was every time I saw its empty blue frame, but they were all small & I assumed it was under or behind something else in the studio. Well, out of sight, out of mind-I just found four paintings & they are all very dry.

This is still not varnished-apparently I realized it was too soon & set it aside!

Skyline from Great Lakes Garden, oil 10x14 2009

Open House at Earl Brydges Library in Niagara Falls

Niagara Falls Public Library held an open house on December 5th, cookies from Howes, punch & several local artsy people showed their work, including me. I chose a small table for my prints & cards right next to the tree so I could rearrange the ornaments for them.

I'm showing a print to Fran Volpe & Joe Carosella as their Aunt Helen-a dedicated Library Volunteer-checks out Niagara Falls paintings.

I've been busy with shows like this, calendar orders, mailing artwork, now I am going to slow down & figure out how this photo got into my folder!

I have prints & cards for sale in the library gift shop which specializes in images of Niagara Falls including wonderful historic black & white photos from the Dunlop collection. It is always a treat to go & see the volunteers who work to keep the shop full & the displays changing. I am confident it should be named the best North End gift shop for variety & history. The library building is impressive as well!

Hyde Park Golf Course Niagara Falls

Last year I was given a cart ride-with my plein air easel-out onto the golf course in Hyde Park, Niagara Falls. There were no golfers as it was late in the season & chilly, but the maintenance men-who gave me the ride-checked up on my progress several times.

This is a par three, the tee is off to the right past the little bridge. The painting stood drying in the studio for a long time, unsigned, & unfinished, because I had not chosen where to put the flag & hole on the green. The trees painted by the green were too wet & thick to draw the flagpole straight outdoors. By the time I decided on the left front, I had forgotten whether it was on the black or the red course. If I had played this course one time then I would have known the answer. Of course, painting on the golf course is more fun than chasing a ball. Well, I do know a bit about golf, the players, rules, but I do like to paint best!

Whirlpool State Park Rapids

Standing up on the hill at Whirlpool State Park, looking up-river (which is south around here, the Niagara flows north) I painted this in a flash. It was a spectacular September Thursday morning & I had 90 minutes to waste/kill/wait. I raced over to meet other NFPAP painters in the park & concentrated on the rapids as the water rounds the bend before the whirlpool. 

I should have 90 spare minutes & a small prepared canvas on sunny warm days more often!

Whirlpool Rapids, oil 4x6 2009