Japanese cherry blossom festival

The second annual Cherry Blossom Fest at the History Museum in Buffalo was perfectly timed with the best show of seasonal pink flowers. While I worked on my final larger picture, 'Cherry Blossoms on Saturday', the flowers cascaded like rain, carpeting everything in pink. WHen I returned home my tweezers picked a branchful of leaves and petals out of the wet painting. The NFPAP artists also worked here on both Saturdays of the festival. Everyone plans to return next year. 

      Pink carpet. 5x7 palette knife oil

Cherry Blossoms on Saturday 12x16 oil

Framing History 7x5 oil

Niagara Falls Music And Art Festival

June's wonderful weekend was warm and dry, the music was loud and Niagara Falls was hopping. My tent was nicely shaded, I enjoyed seeing old friends, and I was able to work on a painting each day. Neither if these show the finished painting but it does show my set up and what I was working on. 

I decided to create a display of the 5 x 7 paintings I have been painting recently, what fun to see them all together. 

The Giacomo in sunset. 9x12 oil

Holding Back the Rain   9x12 oil

A plein air inspires a studio painting

On March 28 I wrote about an oil painting that was about to be installed in a dental office. It was quite recent and I really liked the captured colors of Fall and the rising mist of Niagara over the first bridge at Three Sisters Islands at the Niagara Reservation. Only on the brightest, sunniest high pressure days will the plume rise so high.

At the time, winter was still raging and I was not interested in returning, so I quickly sketched the picture on a large pastel sheet, in fact it was a UArt paper which I had wanted to try for a while.

Pastels caused my wrist injury and the surgery was not six months back, I was feeling reticent about diving into a pastel composition, however, I missed using the rich and reactive sticks I had pushed aside a year and a half earlier. By pacing myself, working in little bits of time, the picture remained on my easel desk for several weeks as I worked back into holding and coloring with my pastel sticks. 

Finished, it is mounted with museum glass, flush to the frame and glass and it looks like a painting. Not the same as the oil it was modeled after but it does capture the sparkle of fall color at Niagara.

Studio Work from plein air painting

Mist Over the First Sister's Bridge, oil 18x24 pastel, c. 2015 K. Schifano

NACC Artist and Friends Exhibition

These two large paintings are displayed at the NACC for the Buffalo Niagara Art Association Spring juried exhibit. This show is in the large main gallery. In addition, there is a second show in the 'Garden Gallery' on the second floor. The 'Niagara Painters' show is representing our local group of plein air painters, formed in 2014 by Shelley Collins and Kelly Buckley, we meet Thursdays to paint outdoors in various Niagara locations.

Next up at the Niagara Arts & Culture Center there will be the NACC Artist and Friends Exhibition, an annual event that is celebrating the 10th year as a community center. 

Both paintings were long term winter projects for me, the joy of pushing paint in the studio is second only to working outdoors.

Adirondack Architecture 48X24 oil on canvas c. 2015
Glory's Bath Takes TOO Long, 36x24 oil on canvas c.2015

#28 and 29 of 30 paintings in 30 days

'Seagulls, Swifts and Spring' started as a study of the posts and water reflections while I waited for the light and shadows to change on the bridge. 'Niagara Painters' were meeting at the new little park at the base of the North Grand Island bridges and I had assumed that the bridge would be in my painting. The water was quite smooth in the morning and the soft and muted colors of a spring morning were hard to resist. This is the bigger one, I also painted a mini, only 2x2 of the same place.

My sweet tooth was calling, I wanted a decadent cupcake from the trendy new cupcake store on Whitehaven Road. I didn't get there, but Tops had a 4 pack so I could go home and eat one, Carl had one, then we split a third one. I grabbed the last, perched it on a pretty plate and as I headed to the studio I bumped it and 'Oops, there is the title' came to mind.

'Seagulls, Swifts and Spring' 9.5x12.5 oil on paper, c. 2015

'Oops on Bone China', 5x7 on wood panel, c.2015

30 in 30 days, # 27 Red Boat at the Cherry Blossom Fest

I was originally inspired to paint two lovely boats, one pink and the other red, but they would not stay still. Free rides on Mirror Lake kept them busy all morning until one of the guides took a break, leaving this red boat modeling for me.  This was during Saturday's Cherry Blossom Festival in Buffalo, NY.

There seems to be tree tilt here and there really is, I'm not sure if it is wind blown or the trees are aiming for the water. This garden was established in 1970 and they are actively promoting it, planting new trees, gardens and upgrading the walks. It already was lovely!

Red Boat and Cherry Blossoms. 9.5x12.5 oil on Carton, c.2015

30 in 30 days, #26 Japanese Sculpture

For 9 days the Buffalo History Museum's Japanese Garden is now glowing with cherry blossoms and the 2nd festival to celebrate friendship between the two nations. 

Last year I painted this from a similar location but it was raining and the buds had not emerged on the trees yet. This was a spectacular Spring day, but cool next to the still cold water. Stepping back 10-15 feet was quite a bit warmer. I plan to return next week to paint the trees with leaves, perhaps a close up of cherry blossoms is on my list, too! Hoping for no breezes across the still cool Mirror Lake.

30 days of painting practice has really warmed up my painting skills and am quite pleased with how this little jewel turned out. 

Japanese Sculpture, 5x7 oil on canvas panel, c. 2015 

30 in 30 days, # 25, Blocks

These 3 blocks have been around for years. WHere is the rest of the alphabet? There was a flat truck, four wheels and a pull cord, why do I have just 3?

I am pleased with the final image. The blocks were painted first with nearly pure pigments, each primary stained a different white bristle brush. Permanently. I stopped using my best Rosemary brushes for this project because of the abuse I dole out...leaving a painting and dirty brushes for hours to do errands or even overnight because I have finished or I just walk away to eat. Brushes generally last me forever as I had pretty good clean up skills and need to get back to them!

These were on my work tabletop, with gloss white paper on the surface and I could see both shadows and reflections of the blocks. Again, FUN! Interested? Click here to email me. $65

'Down Side Up' 5x7, oil on canvas panel c.2015

30 in 30 days, #24 Niagara River Boat Slips

This is a pre plan for a larger painting. I had wanted to paint a scene similar to this for a while, I decided to make the next one in a rectangle format and laid in the background and basic shapes. I stopped for lunch and when I returned the wind had picked up, my palette wanted to fly away with the paint mixtures, the mast of my box was shaking and the larger image was started on Arches Huile, which is flexible.

Working next to the Niagara River can be hazardous at times.Most of the dock pilings are crooked to start with, but it was ridiculous to try to finish there and then. This is the painting of the day and the other will have to wait. No boats were in the water yet, it is still early in the season for boating, but I bet it fills up in the next week or two.
Gone
'Waiting for Boats' 3x3", oil on stretched canvas (with bug) c. 2015

30 in 30 days, #23 paint tubes

Some questionable paint tubes [too dry or duplicates]were set aside and I started fiddling with them while watching birds in my tree. It made me decide what to paint today. Unfortunately, the arrangement was on my 'active' palette, where I was mixing colors for these daily paintings. I used every bit of exposed surface to mix my paints for this picture and could have used a little bit more as my palette is quite small. I really need to do more thinking and planning before starting these pictures.

If you are interested in this painting, click here to email me. $65

'Put Paint, Not Tubes on the Palette', 5x7 oil on canvas panel, c.2105

30 in 30 days, #22, FP Horse

He was always called 'The Horse' and didn't have another name, but he still whinneys when you move the reins. Fisher Price stopped making that wonderful horse sound a few years after we got The Horse and I still can't imagine why. No child has ever been startled or afraid, perhaps an adult or two objected to the constant sound from a child's delight. The tray on the bottom is perfect for carrying blocks, which are coming soon.

Interested, click here to email me. $65
'Let's Go For A Ride', 6x6 oil on canvas panel c. 2015

30 in 30 days, #21 Monica's wares.

There is no way this painting shows the elegance and distinctive quality of the fabrics and yarns that Monica Sheusi White creates with dyes, silk, wool, alpaca and needles. We shared a room at the Knox Farm Art Fest this past weekend and I tried to keep up with my 30 paintings in 30 day challenge by painting on location, the lovely window view was mostly blocked, but the colors and textures of Monica's textiles also demanded some attention. Yup, I am crazy, the crowds kept rolling through and I had to put my painting in progress and tiny paintbox under the table so many times to talk to clients. Meanwhile, the merchandise on her display kept changing as people discovered her beautiful creations. I am blessed to be her friend and to share our love of creative endeavors, whatever the medium.
 Click here to contact me. $65 unframed

Painting Monica's Canvas, 5x7 oil on canvas board, c. 2015

30 in 30days, #20 F-P toy

Every child who has spent time in our house for the past 35 years has enjoyed this cash register. It was a Santa gift for Robin's first Christmas. I always thought it needed a handle as every one of those kids took a tumble or dropped it trying to carry it somewhere. Fisher-Price, are you listening?

Now it seems a bit dated, with no credit card swipe bar. Interested? Click here to contact me. $65 unframed

Cash or Credit? 5x7 oil on canvas board c. 2015

30 Paintings in 30 Days #19 pear

This is the third in a series of single fruit, the earlier two are in posting #15. I went shopping for a citrus, but all the oranges and grapefruit were just round balls, no particular characteristics and no challenge. I chose pears, which got a good bumping in the packing lane. I kept looking at the shadow color on my white palette paper and couldn't determine blue or green, although the value is correct. Technically, it would be a cool violet shade, but my eyes didn't pick that out at all, so here it is, blue-green. The fruit is only 3x3" square.

Grapes may appear in the future. Framed, this is $50, click here to contact me.

Pear, framed, 3x3 oil on Arches Huile, c.2015

30 in 30 days, #17 Paddington Bear

Paddington's Lucky Day was the first book my daughter received, she was 4 weeks old. It remained a favorite and my son loved it too. The book came with a stuffed Paddington Bear and he still lives with me. For his first visit to the studio he was very well behaved and modeled without a break. Now Paddington is sleeping to recover from his visit.
Gone.
Paddington Visits the Studio, 6x6 oil c. 2015

30 paintings in 30 days, #18 Strawberries

This was absolutely the best smelling, and best tasting subject for a painting I have ever created. The grocery store berries are starting to look and taste like strawberries are supposed to.  Although the Sparkle berries we used to pick are nearly impossible to find these days the smell of these were hard to resist. So I didn't.

Interested? Only $40, Click Here to email me.

I Ate My Berry Models, 4x4 oil on canvas board, c. 2015