A unique art studio and a wonderful friend

Frances Gaffney is a long distance buddy who I don't see nearly often enough. Check out her boat residence on the west side of Manhattan.

Hear Frances, See the video on Pleinair.ning.com

Long Beach, Long Island Paintings August 2013

Coffee Time in LB, AM., oil on canvas board, 12x24
Maybe this seems a little dark, but morning on the ocean is hazy and peaceful. The tide came in, swirled around my ankles sinking the easel supports just as I finished.

Living the Salt Water Life, oil on board 8x16
Beat flat by Hurricane Sandi in September 2012, the sand dunes along the beach were plowed back and planted with hardy beach grasses. The light on the dge of the dune stopped me right on the street. It will be interesting to see how much more has grown by next summer.

Observation, oil on canvas board 8x10
Love these rocks! As the tide and sunlight changes, the green starts to glow on these boulders, nearly underwater during high tide, but full of swirling water, shells and bubbles the rest of the time.

I painted this jetty angle twice, the more abstract of the two remains in Long Beach, collection of Francis Marion.

Slack, oil on canvas board, 9x12
Perhaps my favorite of the week, this is the same composition I painted with pastels last year. No matter how devastating the storm was to homes and the city of Long Beach, these boulders were impervious, stalwart in their assigned locations. The title comes from slack tide, when the incoming and outgoing forces of tide water is fairly even.

Summer's Missed, oil on BFK paper 8x22
This panorama is emotionally charged, a Labor Day painting symbolizing the end of summer lifeguards and lazy days as well as beach and salt water time I gave up by moving off Long Island and across the state. I miss the ocean, but not much else.

Van Gogh at the Beach, oil on board 5x7 
After completing one of my 'stand up at the easel' oils, I sat on the blanket as the waves came in right at my eye level. I took a few photos, but realized that I wanted to paint this power, and I had a spare little board with me. Trying to catch this enormous power right in front of me, I poured on the paint, frequently using a painting knife to sculpt the color.

Silo City, Buffalo

Light in the Tunnel

As much as I love natural landscapes, and often omit buildings, powerlines and other built elements in my landscape paintings, preservation of historic structures remains important to me.

I have created a series of drawings and paintings that chronicle endangered buildings in Buffalo, on Saturdays with Sara Zak's Painting for Preservation initiative. Her work on behalf of architectural gems keeps in mind the history of our city, formerly one of the largest in the United States, the gateway to the west for wagons, boats and trains.

Silo City, location of 'City of Night' and other public concerts and events is in Buffalo's Old First Ward, is rocks and gravel, weeds and massive impressive grain elevators, some still in use, all awe inspiring. Having annually painted this area from the other side of the river with Sharon Fundalinski and Margaret J Walker, working on the grounds with the Preservation group during a convention of out of town visitors was a fun challenge.

One of the huge open indoor spaces was converted to a meeting area while caterers provided buffet food and drinks on the waterfront. Painters scattered around the site as convention 'entertainment', and talking to people from across the country about our unusual location was energizing. The huge scale of the silos is enough to challenge understanding of the purpose and investment that originally created this modern concrete playground, more than a century ago.

This long alley was partially out of bounds for the conventioneers, I was intrigued by the natural  landscape framed by the overhead walkway as well as the tiny bright red folding chair waiting for a guard or perhaps a graffiti artist. Capturing the curved sunset shadows before the entire area was in shade was the challenge here.

Light in The Tunnel oil, 20x16, 2013

Wine on Third

What does one do on the most lovely of summer evenings in Niagara Falls? Why not sit around with a glass of wine on Third Street. How about adding my french easel full of oil paint and a bunch of other artists working together for a NACC fundraiser.

The Niagara Arts and Cultural Center will be auctioning donated art this fall and a group of artists got together to create the work for that evening.

It was time for me to do a summer nocturne and all the stars were aligned. At least the stars were, the nearly full moon did not appear over the restaurant until about a half hour before I completed this plein air. Such serendipity!

I am wondering if this will be my donation, looking at it, I can still hear the music that livened up the night for me. The wine, food and music at Wine on Third is always excellent.

Wine on Third, oil 12x9

A series of oil waterfall paintings

Wolf Creek Moment, 16x20 

In response to a long distance prospective customer, I posted this series of paintings based on some of her criteria. She eventually selected a 24" tall, 12'' wide painting of a section of the Horseshoe Falls, a prominent rock that creates rooster flares of water, right at the precipice. It had an abstract quality that was similar to some of the paintings she originally selected from my website, www.kschifano.com.

It was interesting to find waterfalls in my collection without including large pastels, it is a whole new way of looking at a series for me. Here are 15, selected because they are waterfall themes and none of them are smaller than 10x14, all will be wall enhancing beauties!

All of these are OIL paintings. Most are painted on canvas mounted on a panel, a few larger ones are on canvas mounted on stretchers or a panel, but all have similar textures of paint on the surface. I tried to post the same sizes together for comparison, size determines the cost. The sizes on the screen are not to scale here, so look at the size listed underneath. Colors on the screen will not be exact as every computer is calibrated different. Some colors may not be as bright-or dark- as they look here. Framing can be arranged.

Interested? Comment below or my email, which is  ks [at] kschifano.com

Peace at Blossom Falls, 16x20 

Steps of Niagara, 16x20

Noise, 16x20

Rush, 16x20

November Plume, 18x24 {On Easel}

 Dam Leaves 12x18

Morning Light on American Falls 24x24

Rainbow Bridge & Mist, 24x24

Rock Of Ages, 24x12

Riding the Middle Falls, 12x24 

International Mist 12x24

The Horseshoe from 3 Sisters 12x24

Composition With Ice, 10x14

After the Rain, 11x14 

The 'shoe, 18x24

www.kschifano.com

First Prize

I enjoy the challenge of painting water.

Once in a while a plein air show is juried. Our NFPAP annual show is an art exhibition, but this time the Impact Artist Gallery put a call out for plein air art work, to be judged for entry as well as for prizes.

I spent quite a while deciding which paintings I should put in, frequently changing my mind, until I determined to choose these favorites, as neither had been shown before.

Lo and behold, at the reception I was awarded First Place, with a prize of a solo exhibit for my ocean panorama, but also was given Honorable Mention for my flume. This was the pastel I did in the rain, standing on a huge round boulder, surrounded by poison ivy. When the water seeped through the fabric of my umbrella I realized I should get out of the rain and poison ivy and dry off, preferably in a safer spot as the water coming down the creek was steadily increasing. Quickly finishing the forms was all that was necessary in this Adirondack scene frequently painted by the Hudson River School Painters.

This Long Island jetty was my subject for a week last summer, and the fisherman was there whenever the tide was right for fishing. The largest work I completed in oil, it has a calm but humbling mood to it. When he saw my painting, he offered his lunch to me, sticky rice and seasonings wrapped in a leaf and tied with thread and was quite tasty. I gave him some of mine, which was probably PB&J. We didn't share languages but had a fairly good conversation about the day, our camera and painting. And then I took a first prize for my experience.

Slippery When Wet, pastel 12.5 x 9.5
FIshing for a Big One, oil, 12x24

Youngstown Yacht club 'Art on the River'

Last week, the Youngstown Yacht club hosted 'Art on the River'. I often paint there, so I joined the event with some samples and had a lovely evening. After setting up I took a little cruise along the river to find a new spot to paint a sailboat commission. I'll be back next week to do that, and next year to set up at the club!

2014 art calendar

The annual assembly line was hard at work last week, the newest calendar pages were printed and picked up, and we had three days before the Lewiston Art Festival 'unveiling'. 

All I needed to do was assemble 14 pages in backwards month order, open the calendar cases by the dozen, insert the packs of pages, close the cases, insert into the celo envelopes and rip the glue cover off, fold the seal and stack. Kind of easy, but it took all day, thanks to a lot of dealing pages and collating by Carl I am ahead of schedule. In the foreground is October, the blue ones are January, ready to be packed. If you follow me online, you can order by mail through my website, KSchifano.com.  Locally they will be available at Castellani Art Museum, The Book Corner, Studio One, Quaker Bonnet, and 464 Gallery.

Allentown Association Art Exhibition

The Theodore Roosevelt Inaugural National Historic Site preserves the elegant Ansley Wilcox house  on Delaware Avenue in Buffalo. There is also a lovely restored carriage house which will showcase paintings of the Allentown area in early August, with a reception on Friday, August 2. This show is sponsored by the Allentown Association for its 50th anniversary and includes works of the area's features by artists who live, work or paint in Allentown.

One of my two paintings is this driveway side view of an elegant victorian home on Pearl Street, just a few buildings down from Allen Street. Painted this year, I was intrigued by the tans and browns of the structures hi-lighted by the forsythia bush and its glorious yellow presence.

I like to feature yellow flowers in paintings, it is a challenge for me, but it also holds its own on some of our drearier days, the yellow in nature paintings sparkles through the gloom of a long winter afternoon.

The second painting in this show is a colorful blue corner porch with morning glories winding up the column. It is a pastel, framed to 20x16. Pretty little bits of Allentown are making their way back to Buffalo from Grand Island for this exhibit.

Pearl Street Spring 14x11 oil,  2013

2 Paintings in North Dakota

Bismarck Art & Galleries Association sponsored a Square Foot Show in their gallery for the second year. These two paintings were sent to North Dakota for the exhibit which runs from August 6 to 30. If you happen to be in our nation's breadbasket, the BAGA opening reception is at E. Front Ave from 5-7 pm. Let me know how the show looks and if I have a nice location for my work, I have to be here to paint in Olcott!

They are on 12" by 12" stretched canvases and the 1" deep sides are painted to continue the image around the corners. This is often called Gallery Wrap. Each is a wonderful painting and I am proud to have them represent me there.

Both of these florals were completed in the studio, started from my drawings on location. The rose was painted from a conte drawing I had wanted to use in a painting, while the peonies were started en plein air at my picnic table and brought indoors for development. The flowers changed as I watched, and the breeze moved the flowers and branches just enough that I kept losing my place in the big bush. There are so many flowers this year, I am hoping the farmers have as much success with their fruits and vegetables as I am having in our lush gardens.


Summer Glory 12x12x1 oil, 2013
Peony Riot 2, 12x12x1 oil, 2013

Carnegie Art Center Paintout on the canal

Saturday's intense gusts almost took out this setup several times, a collection of bungee cords attached everything in winds up to 50 mph. I set up in the shade of the railroad bridge, not realizing that I put myself into a windier place than an open site. I eventually moved under a tree and still had to fight the wind, all my available equipment was used to weigh down the easel. The red line in the sky is a hook attached to my easel drawer. I chose to paint the Remington Tavern because of the historic architecture [formerly Remington Typewriter] that was adapted to become a great restaurant, but also because of the beautiful flowers bursting forth from their canopy.

Working in shade allows colors to be recorded more accurately, if someone paints in sunlight, especially when the sun is on the canvas, the image appears dark when indoors.  Often my huge artist umbrella protects art in progress and the palette more than me. I could not use it here due to the high winds; otherwise boaters would be fishing me and all my supplies out of the Erie Canal.

The Carnegie Art Center sponsored this paintout in the North Tonawanda area to coincide with Canalfest. This Remington Tavern painting was displayed in the beautifully restored Riviera Theater where the giant organ was played to the delight of the crowds.

Breezes at Remington, 11x14 oil.





This is a link to a newspaper article by Jill Keppler, click to read it for my 'quotes' and a little bit of background on the day.

	Chasing light, catching shadows Source: tonawanda-news.com There are life lessons in plein air painting: It's all about location. Life keeps moving. Travel light. Embrace imperfection. Roll with the punch

Publisher's Invitational Plein Air 2013 paintings

This is it. All of my finished paintings, from nearly a week in the mountains, sort of taking it easy, so I also have a collection of drawings and sketches to go with these as well as a head full of beautiful memories.

This first landscape painting is '3 Dollar Sky', pastel 9x12 because I started by laying in the gray-blue for the sky with a new stick of Unison pastel. It was half gone when I had the undercolor completed. As it cost $6 a pastel stick it was named well.

 'High Falls 3' 16x 12 pastel. This was my second trip carrying gear down the semi perilous steps, but I had also painted a 4 foot tall picture from my previous references.

 On the way home, we stopped in Harristown for a 'painting break', one more for the road? one of just two oils I did this week. 'Harristown Interlude', oil 8x12

 Norman Ridge Skyline, pastel 9x12 Miles of mountains recede on the horizon. The air at this altitude was so fresh, the wildflowers were bright and the day was perfect, with perky little crooked clouds trying to stay afloat.

Return to the VIC3 oil 8x12  Three paintings in 3 years from the same spot, if only I had walked another 200 yards to a super paint spot in shade. Next time, I suppose.

'Rocks at Bog Falls', 9x12 pastel, a very quick painting, there were a lot of bugs in the muddy spot I selected for this composition.

 Roosters at Bog River Falls', pastel 12x16, the first I painted here.

 Solstice Above the Flume, 9x12 pastel. I was looking down at this section of the rapidly descending flume water, seated on huge round rocks at the edge of the cliff. I was sort of tilted forward so my toes were constantly pushing me back from the edge as I painted. When I finally got up my feet were very happy as well as stiff.

From the same vantage point I was able to see the Flume below, perhaps my favorite image of the week. We arrived very early in the morning before the rest of the campers and I ventured very close to this falls area to paint this one first. As I finished, a bit of sunshine sparkled on the top of the waterfall, shining into the gorge from overhead.

Solstice Sun on the Flume, pastel 12x9

3 Variations of Marsh Grasses in Western New York

If they have not been crushed by heavy snow, marshes keep their tall fronds of dry golden grasses through the new year, until new grasses fill in. Spring growth adds bulk and color variations as the green shoots stretch for sunlight.

These were coincidentally painted the same week, each about 25 miles further away.

The first is an oil, made in Buckhorn State Park, my favorite meadow, secluded and quiet, with a distant view of mists from the Falls to the west. It was hot and a little buggy, occasional clouds gave me a break from the sun even though I had an umbrella for shade. The marsh grasses nearly glowed white in the sunshine

The center painting is a pastel, painted at Tuscarora State Park on my second visit there this year. Peggy sat close to the water and made a statement about the movement of the water, giving me an idea for the title. It was neither hot nor cool, just a perfect painting day.

This last picture is also pastel, painted deeper into the Tifft Nature Preserve than I usually venture. A map noted that the water is named Mosquito Pond. Wrong. The non native Red Ants in this area were atrocious, even marching in thick lines on the raised walking platform. I tucked my pants into my socks, sat with only my boot toes touching ground and occasionally jumped around. It makes me itchy to remember as I write this! The grasses here seemed almost pink at the tops, I liked the horizontals formed by the receding layers of nature and the patterns of verticals from the growth near to far.

Ironically, I created three paintings in one week with the same subject, unintentionally, each captures its own moment and place.

Reminiscing, 9x12 pastel, 2013
Water Flows Both Ways, 9x12 pastel, 2013
Mosquito Pond in Tifft, 9x12 pastel, 2013

Lilac Gardens in Niagara Falls, Ontario

c. K Schifano

I am so fortunate to be able to get outdoors and spend a day in nature. Finding the right weather helps! A planned outing to the Niagara Parks in Ontario was postponed because of doom and gloom weather reports, but I chose to venture across the bridge anyway, the day seemed bright. It is close and I wanted to capture the lilacs in bloom. They were early this year and I was going to miss them if I waited.

Open fields by the expanse of the Canadian power project were subject to the announced winds, so I set up against the breeze, behind the car, easel on the ground with me on the inside of the car surrounded by pastels and materials. Within an hour I was gripping the top of the easel to steady it in gusty winds and watching tourists walk around sideways, head into the wind, clothing whipping around. It kept getting stronger while the scent of lilacs increased and the bushes rattled to their roots.

Working in pastel, all excess powder from my sticks was gone with the wind, mark making had a whole new meaning for me in the gales that started increasing. I always said I would rather paint in the rain than wind, but I love the plein air effect of wind in this painting. It still vibrates and blows on my page.

As I finished, fat raindrops started and I pulled the hatch shut. My drive home was erratic as the gale winds had toppled trees, broke large branches and sent all sorts of things into the roadway, heavy rain compounded the difficulty. I had spent the day out, captured it and made it home safely, another great paint adventure.

Windy Lilacs, 12x9, pastel, c. 2013

North Tonawanda boathouse park

 Notice the tiger!

 The NFPAP painters returned to the Niagara River and one of our favorite spots, near the Erie Canal. This day, the wind at the N. Tonawanda boathouses was too strong for me to paint so I was sketching various angles of buildings on the water. One of the residents asked me to paint their two cottages, including the huge tiger on the porch roof of the white one. Sitting in the shade of a huge tree with my car blocking the wind, I enjoyed the atmosphere of the residents tackling summer chores around me.

Side By Tiger, pastel 9.5 x 12.5 pastel c. K. Schifano

Whirlpool State Park Painting

This first painting is only 3x5, the size of an index card. I painted this when I arrived in the morning, the light was coming from the left as I stood well up on the hill overlooking the lower Niagara gorge at Whirlpool State Park. 

This photo shows my [ incomplete ] 2nd painting of the same scene in progress. Working larger, in the late morning to afternoon light, the shadows have nearly reversed, the colors are flatter in full sun and even the dramatic old Whirlpool bridge has lost its brilliant glow of morning. Having finished both of the same scene, it is hard to believe that they are the same place on the same day.

Shadow on the Whirlpool, 8x10 oil

Turning around from my easel, the colors of Spring and dense shadows on the ground were tempting me to try a third painting....but the second one had to be completed before I retrieved a new panel. By then, my bones wanted to sit in the soft seat of the car and go home. I will try to remember to come back here next Spring to find another spot and perhaps capture the trees in flower.