This is the original set up, some were moved, others added or subtracted until I was happy with the composition. 16x20” oil.
Guests of the History Museum are checking out my work in progress on the Museum porch. I chose the Albright Knox and the new building in progress, seen behind the pink blossoms of the Japanese Cherry Blossom Garden.
Only 5x7, this is the plan for the large oil painting below.
10”x20”, the two museums are separated by beautiful trees in all seasons. And a parkway, can you pronounce Squajaquada?
January 1, 2023
It’s time for a new resolution.
"I will post daily for the month of January."
It worked in January, I did it every day, so I posted daily in February too. That’s 59 paintings, mostly older ones that I dragged out for the month. I tried to post only a few that had sold and passed up some of the best ones, hoping to use them later. The paintings went on Instagram and/or Facebook, most always on both social media platforms. After a while I chose subjects for each week. These images are taken from my instagram page. @kathschifano.
It took all of September to put this giant room in order and another month to get set up with three artists I love to paint with. We are Plein Air buddies but decided to keep our brushes flowing by sharing a studio space in the Niagara Arts and Cultural Center. Surrounded by theater groups, artists of all mediums, musicians, museum spaces, and a frenzy of activity, as well as a restaurant, we are thrilled to be working together in such a creative place.
I chose a wall for my easel, it turned into a comfortable place. There is plenty of room here to expand.
But then, DECEMBER! The NACC invites crafters to fill the halls and has open house weekends, we took this opportunity to exhibit and sell paintings. My space expanded. Most of these extra paintings will remain stored here, but it will return to a painting spot after the New Year.
It is warm enough to wear the pink shade hat instead of winter duds! Instead of a studio still life, on Thursday the Niagara Painters headed to Hoyt Lake at Delaware Park. Hard to believe this was late November. A beautiful day. It won't last so we will be in Studio 120 at NACC for most of winter.
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| Work In Progress 'Hoyt Lake' |
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| Keeping cozy in dappled sunlight |
Artpark on a Fall Saturday is usually pretty quiet but the Castellani Museum, Artwork and the NACC combined for a fun plein air event. The wind from the gorge was too much for me, so I settled on the building serving food and beverages. Hot apple cider with a shot of Fireball Whiskey was a perfect warm up and kept me going. Someday I'll go back to paint the Lewiston Queenston bridge from the gorge rim.
Sun and Clouds Picnic II, oil 9x12 2022
Autumn Sun Streaks, pastel, 9x12 2021
What a traditional view of the cataracts! The annual WorldWide Paint Out, sponsored by International Plein Air Painters was a huge success. NFPAP had at least a dozen artists on both Friday and Saturday. I had not painted here in a while and it was so satisfying to be right at the rail. Working in the heat was difficult, the swirls of wind from the gorge made an umbrella unsteady and I should have had more drinking water with me. But, by persevering I could complete this beauty. After a summer of good experiences and practice, my brushes just danced on this canvas.
The second WWPO day, we worked by Three Sisters Islands and I went into the shade near the first bridge. A bridal party appeared and had their vows to my left, across the water. Members of the wedding party came to see me at work and purchased the wet painting for the newlyweds. I took it home, attached it securely in a perfect pizza box and delivered to their hotel. They paid me, but included a nice tip for packing and delivering! What a wonderful gift and memory for this couple. And asking your local pizza place for a clean box 'for emergencies' is a tip for artists reading this.
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| September Morning Wedding |
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| Work in Progress! |
I was excited to paint in Youngstown at the end of the mighty Niagara, it ends at Lake Ontario with two forts, several dozen sailboats and two marinas and Canada all in view.
And then it rained, in fact it poured and was 1" deep under the tent which also started dripping underneath. No good for pastel painters, but I was using oils. The red roof shed was a perfect collection of shapes, so I started my painting...not planning to have my view blocked by the blue sailboat 'lifter' which wheeled in front of my view.
In Fall all the large and small sailboats are removed from the Niagara River and packed together, similar to cars at a busy mall on a Saturday holiday weekend. The huge masts create an aluminum forest, with ropes continually clinking on metal.
But, I persisted and happily completed my painting. How many more old buildings will I find?
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| RCR shed at Youngstown Yacht Club 9x12 oil c. 2022 |
September brings the sun a little lower and the glare on the water is almost difficult to watch or paint. Having sold all the bridge pictures of Three Sisters at Niagara Falls State Park, I selected a 16x20 canvas for my favorite spot.
As I painted this a group passed behind me and gathered across the water by the rocks and steps and I realized it was a wedding. Every painting has its own story and I enjoyed watching a very informal marriage ceremony as I painted. Afterwards some of the attendees asked to buy this painting. It wasn’t complete but we made arrangements to meet at their hotel later. I carefully packed the wet oil at home and signed it with their wedding date. The group had taken up a collection to pay for it and they included a tip! I’ll have to paint here again soon, these bridge paintings are my favorite and apparently others feel the same.
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| September Morning at Three Sisters 16x20 oil |
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| Photo by Rachelle Bisone |
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| Sunflower field, oil, 10x20, c. K.Schifano 2022 |
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| Here is a painting in progress, nearly finished. A few more rocks and some long shadows and it was done. |
We paint at least once a year at Bond's Lake and usually include the lake and the stunning colors of trees across the water in our pictures. Today I chose the path that is now blocked but leads to where we used to park. Purple loosestrife, a noxious weed, is nevertheless beautiful in late summer. Long shadows herald the approach of Fall as the sun appears low in the sky.
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One of the fantastic artists at Workshops in Yorkshire invited me to stay at her home at the end of our week. I hesitated but I was assured she would get me to Manchester airport in a few days.
I am so glad I accepted the invitation, as Liz's extended family, lovely historic stone home and spectacular location were the best part of my UK experience. It turns out I was now in Wales with her and I found subtle differences with more beautiful views and enjoyed every minute. This involved a lot of driving and I am in her debt for a wonderful time; we painted, had some lovely excursions, went to a surprise birthday party (everyone was incredibly nice) and ate wonderfully.
One of my nearly completed workshop paintings is of a climbing 'Sylvia Rose'. I met a lovely young girl whose name happened to also be Sylvia Rose and she was thrilled to pose with my painting. We visited in a large covered area with sunshine streaming around us, sheep bleating nearby while her grandfather (?) played the guitar and sang a song written by his son followed by a song by Sylvia. She was charming and confident, ready to start back to school soon. It was delightful and memorable, life and new friendships are so good.
The end of a beautiful July found me on a plane to Manchester England, where I transferred by trains and taxi to an AirBnB in York, England to adjust to the time change and merry old England. York is an ancient walled city and the history class Norman invasion of 1066 finally made an impression. Winding streets, tiny doorways, low ceilings, and quaint shops presented new attitudes and foods, and I took advantage of excellent public transportation. Two days later I left to experience a multi train adventure with art supplies and luggage transferring to Skipton. There I would take a 5 day paint workshop with Kathy Anderson in the lovely gardens of Rosemary of Rosemary Co. Brushes. What a week, it included dinner in an historic space, a field trip to an abandoned town to paint and meeting great artists from various countries. Yorkshire is beautiful and pastoral with gentle hills and green everywhere.
I was challenged to paint in new ways, to lay in a different sort of ground and wipe out the light areas, to suggest some things - like leaves - and omit their details. I loved it, even though I found it difficult to change habits. At the end of the week I knew I could go back and use some of the ideas that were shared and still paint my own pictures. I am thrilled that my drawing skills made it easy to paint more confidently.
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| 1000 Year Old Bridge, Wycoller Park, UK 12x16 oil on linen |
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| Fuchsia and Blue, 14x11 oil on linen |
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| Beets and Greens 12x16 oil |
Indoor Still life used to be my least favorite painting. This year, I have connected with several artists and enjoyed Thursday mornings in the NACC, painting in Ylli Hurani Studio. There were usually several excellent still life setups to choose from. It was an opportunity to work longer on a composition as well as have friends painting nearby. I am thrilled to have had this opportunity and challenge to increase my skills.
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| Thursday's Snack in Red, 16x12 oil |
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| Painter's Rewards 16x12 oil |
The Summer Garden, pastel, 12x16
Griffon Park is on the Little River in Niagara Falls and faces Cayuga Island. For years, boaters have backed their boats into the water and parked cars and trailers. Updates to the park now include a large playground, walking paths and benches.
This rock commemorates The Griffon, built near here to sail the Great Lakes and never seen again.
This photo shows my view from a park bench, I used the distant buildings for my painting, below.
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| Little River From Griffon Park, 8x10 oil c.K Schifano |
